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Russian Operatic Arias for Baritone and Piano: Voice & Piano Album

$39.95 USD
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Russian Operatic Arias for Baritone and Piano Cover Image

Russian Operatic Arias for Baritone and Piano: Voice & Piano Album

19/20th Cent. Repertoire with Translations & Guidance on Pronunciation (Rus/Eng)

Edited by David Fanning

Item: 98-EP7583

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Description
This landmark series opens up exciting vistasof challenging and rewarding repertoire for the discerning and adventurous singer. As with the Peters companion volumes of French Operatic Arias, this Russian series presents many of the justly celebrated arias, but alsojuxtaposes them with other less familiar gems, which undoutedly deserve wider recognition. Much of the selected repertoire is eminently suitable for audition purposes, so that each volume is a treasure trove for professional singers and students.

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 140
ISBN10: 0-57-708406-2
ISBN13: 979-0-5770-8406-0
SKU: 98-EP7583

More about this title

Why we love this

Edition Peters curated this volume with both the audition circuit and serious study in mind, pairing repertoire staples alongside lesser-known arias that genuinely reward discovery. The mix prevents this from feeling like a standard compilation; singers encounter fresh material alongside pieces they may already know, which deepens their engagement with the Russian operatic tradition. At 140 pages, there's genuine substance here, enough to build a coherent recital or to mine for audition options across multiple seasons.

What to expect

Russian operatic arias sit in a rich emotional space, they demand dramatic intensity and vocal power without sacrificing lyricism. These pieces carry the weight of character development and psychological complexity that defines the Russian dramatic tradition, creating a listening and singing experience that feels both substantial and deeply expressive.

Who it's for

Baritones preparing auditions, students building their repertoire beyond the standard Italian-French canon, and singers ready to explore the dramatic depth and vocal challenges of Russian operatic writing. Teachers seeking audition material for advanced students will find both familiar territory and genuine discoveries here.

How to get the most out of it

  • Study the text closely before diving into the vocal line. Russian operatic language carries dramatic weight that shapes phrasing and interpretation in ways that differ from Italian or French traditions.
  • Use the piano part as a dramatic partner, not just accompaniment. Russian opera often weaves the orchestra's thematic material into the vocal piano reduction, so listening to how the accompaniment unfolds will illuminate your musical choices.
  • Mark your breath points early. These arias often contain long, expansive phrases that demand strategic breathing to maintain vocal line integrity.

How to use it

Position these arias as centerpieces in a recital focused on non-Italian repertoire, or select individual pieces to build an audition book that demonstrates stylistic range. Many singers use this collection to satisfy the "contrasting aria" requirement in auditions, where showing command of Russian vocal writing sets them apart from competitors sticking to the standard repertoire.

Skills your students will build

  • Russian-language diction and its effect on phrasing
  • Interpreting dramatic character development through vocal line
  • Managing extended vocal passages and maintaining legit tone
  • Navigating the harmonic language of Russian romantic opera
  • Preparing audition material with dramatic authenticity

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