Runnin' to Bethlehem: 3-Part Mixed Choral Octavo
Words and music by Sally K. Albrecht
Item: 00-PO-0000462
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About the Composer: Sally K. Albrecht

Sally K. Albrecht has built an influential career spanning composition, conducting, and music education leadership. Since 1987, she has received annual ASCAP Special Music Awards and published over 600 choral works alongside 75 larger theatrical works and songbooks. She has conducted honor choirs at major venues including Lincoln Center, Carnegie Hall, and The Kennedy Center, and spent more than three decades leading choral and vocal publications for Alfred Music and other major educational publishers.
Albrecht holds degrees from Rollins College (B.A. in Music and Theater, 1976), the University of Miami (M.A. in Drama, 1977; M.M. in Accompanying, 1979), and has taught at Oakland University, Jersey City State College, and Meredith College. She is particularly known for her expertise in integrating movement with choral music. A Cleveland native now based in North Carolina with her husband, composer Jay Althouse, Albrecht received the Distinguished Alumna Award from both the University of Miami Frost School of Music and Rollins College in 2021 and previously served as Chair of the Board of Trustees for Omicron Delta Kappa National Leadership Honor Society.
Why we love this
Albrecht's gift for rhythmic energy and accessible vocal writing shines here. This original spiritual packs genuine excitement into a three-part arrangement that works equally well in school or church settings, and the built-in movement component makes it a natural choice for directors who want their students engaged physically as well as vocally.
What to expect
This piece radiates urgency and joy. The original melody captures the spiritual tradition while the modern harmonic touches and rhythmic vitality give it contemporary appeal, creating a Christmas celebration that feels both rooted and fresh.
Who it's for
School and church choirs singing in three parts will find this accessible and rewarding. The arrangement works for developing singers while offering enough energy and style to satisfy more experienced ensembles.
How to get the most out of it
- Establish the infectious groove early in rehearsal. The spiritual style thrives on forward momentum, so lock the rhythmic feel before worrying about vocal polish.
- Plan the staging and movement simultaneously with musical rehearsal rather than adding choreography later. Albrecht's design integrates motion with the musical phrasing, making them inseparable.
- Use the recorded accompaniment to anchor the rhythmic pocket, especially if your choir is less experienced with this style. The grooved feel will become clearer once students hear it in context.
- Balance the three parts carefully in passages where they move independently. The SAB voicing needs clear voice leading so each line remains audible without one part overpowering the others.
How to use it
Place this as an opener or high-energy moment in a holiday concert to wake up your audience. The movement and staging make it a strong visual anchor, and its spiritual foundation pairs naturally with traditional Christmas repertoire or as the centerpiece of a more contemporary seasonal program.
Skills your students will build
- Rhythmic precision in spirituals and contemporary choral styles
- Three-part voice independence (SAB voicing)
- Integration of movement with vocal technique and phrasing
- Stylistic interpretation of African American spiritual traditions