Runner (Prelude No.1) (from the Flora ad) Sheet Music Preview

Runner (Prelude No.1) (from the Flora ad): Piano Solo

As performed by Dustin O'Halloran

Item: 35-DS00041116

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Additional Details
Publisher: Hal Leonard
Page Count: 3
SKU: 35-DS00041116

More about this title

About the Artist: Dustin O'Halloran

Dustin O'Halloran is a pianist and composer whose work spans classical music, film scoring, and contemporary composition. His output reflects a deep understanding of both concert hall traditions and the demands of visual media, with scores for films including Moonlight, Lion, and The Dropout series showcasing his ability to write music that serves narrative while maintaining artistic integrity.

O'Halloran's piano writing is marked by lyrical clarity and emotional directness. His pieces often explore minimal harmonic materials with maximum expressive depth, making them accessible to intermediate players while remaining satisfying for advanced musicians.

Why we love this

This prelude captures what makes O'Halloran's film work so effective: a single compelling melodic gesture unfolding across a bed of elegant accompaniment. Players at the intermediate to early advanced level will find it rewarding because the technical demands serve the music rather than overshadow it, and audiences respond immediately to its emotional clarity.

What to expect

A moment of quiet reflection that gradually gathers warmth without losing its introspective quality. The writing feels contemporary yet rooted in classical tradition, creating a sense of forward motion despite the piece's contemplative nature.

Who it's for

Intermediate to early advanced pianists developing their lyrical voice and learning to balance melody against accompaniment. This is equally suited for recital programming and for students exploring how concert music and film music can inhabit the same artistic space.

How to get the most out of it

  • Allow the opening melody to breathe; the three pages will feel rushed if each phrase isn't given space to settle before moving forward.
  • Pay close attention to dynamic shadings in the accompaniment. What might look like supporting material is actually sculpting the emotional arc.
  • Consider the overall arch of the piece before diving into specific passages. This will help you balance introspective moments with the fuller sections that follow.

How to use it

Pair this with other short contemporary piano pieces for a recital focusing on 21st-century composition, or program it as an interlude in a longer concert where its brevity becomes an asset. It also works beautifully in student showcase programs where you want to highlight developing pianists working with recognizable, emotionally mature material.

Skills your students will build

  • Sustaining a lyrical melodic line while maintaining textural independence in the accompaniment
  • Shaping longer phrases across multiple pages without losing structural coherence
  • Interpreting contemporary notational and dynamic conventions
  • Building emotional arc through harmonic and dynamic subtlety rather than technical display

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