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Run to the Edge: Concert Band Conductor Score

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Run to the Edge Cover Image

Run to the Edge: Concert Band Conductor Score

Arranged for Concert Band

By Jonathan Dove / arr. Phillip Littlemore

Item: 98-EP68710

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Description
Jonathan Dove's thrilling and energetic showpiece was originally composed for the London Schools Symphony Orchestra (of which the composer was a member). Phillip Littlemore has expertly arranged Run to the Edge for concert band, providing symphonic wind ensembles with a high-velocity joy ride. (5:10)

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 36
ISBN10: 0-30-076168-6
ISBN13: 979-0-3007-6168-8
SKU: 98-EP68710
Instrumentation: Concert Band

More about this title

About the Composer: Jonathan Dove

Jonathan Dove is a British composer whose works span orchestral, choral, operatic, and chamber genres. His music combines accessibility with sophisticated harmonic language, and he has a gift for writing that engages both performers and audiences without sacrificing artistic substance. Dove's extensive output includes commissions for major orchestras and ensembles; his work with educational groups like the London Schools Symphony Orchestra has shaped his understanding of how to write music that is both challenging and genuinely rewarding to perform.

Why we love this

Run to the Edge captures everything that makes a concert band showpiece memorable: momentum, color, and the kind of infectious energy that travels from the podium straight through the ensemble to the audience. Phillip Littlemore's arrangement preserves the symphonic ambition of Dove's original while giving wind players moments of genuine virtuosity and textural sophistication. At grades 5 and 5½, this piece respects the capabilities of advancing ensembles without talking down to them.

What to expect

Run to the Edge is urgency set to music. The piece surges forward with propulsive rhythm and bright harmonic colors, combining the organizational clarity of symphonic writing with the visceral power of a full wind band. There's joy in the velocity, and the arrangement lets players feel the exhilaration of ensemble playing at this level.

Who it's for

This conductor score serves directors of intermediate to advanced concert bands who want a modern, high-energy work that builds technical facility and ensemble cohesion. Students at this level have developed enough control to manage complex rhythmic and harmonic textures, and they're ready for contemporary music that doesn't rely on nostalgia or simplification.

How to get the most out of it

  • Establish the tempo confidently from the opening. The piece's propulsive character depends on a steady, unwavering pulse; any hesitation in the initial measures will compromise the momentum you've worked to build.
  • Balance the dialogue between sections carefully. Run to the Edge passes thematic material through the band in waves. Make sure inner voices have space to be heard without overwhelming the primary melodic line.
  • Attend to the dynamic shape in sustained passages. Even in quieter sections, the harmonic rhythm and forward motion should remain active; avoid letting the ensemble settle into a static sound.
  • Use the full five minutes and ten seconds as your rehearsal pacing guide. If you find sections dragging, check for tempo consistency rather than rushing individual passages.

How to use it

Open a concert with this piece to establish energy and sophistication immediately, signaling to the audience that this is serious music-making. It also works powerfully as the anchor of a modern music program, especially alongside other contemporary works that reward attentive listening. The five-minute duration makes it an ideal pairing with longer or more introspective pieces.

Skills your students will build

  • Maintaining steady tempo under complex harmonic and rhythmic activity
  • Balancing inner voices and dialogue passing through the ensemble
  • Articulation and rhythmic precision across multiple sections simultaneously
  • Reading and executing contemporary harmonic language and texture
  • Sustaining ensemble cohesion and energy across an extended five-minute work

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