Run (arr. Jacob Narverud): SATB Choral Octavo

Jacob Narverud's arrangement captures the driving momentum of the original while actually serving the voices. The SATB voicing sits comfortably across all parts, and the arrangement respects what makes the song work in the first place: a hook that sticks and lyrics that resonate with singers who care about meaning. This is contemporary music that doesn't feel like a compromise between pop and choral writing.

The arrangement carries the propulsive energy of the original while opening up the emotional core of the song. Singers get to experience what contemporary pop songwriting can do when it's treated with care and arranged for voices rather than just adapted from a recording.

Choirs looking to program something current without sacrificing musicianship or vocal health. This works equally well for high school ensembles with solid fundamentals and college or community choirs wanting accessible contemporary material.

• Lock the pulse early in rehearsal. This arrangement thrives on rhythmic precision, especially in the section work where the parts interact rather than move in unison.
• Balance the soloistic moments in the soprano line without letting it overwhelm the harmonic foundation underneath. These lines should feel like part of the whole, not above it.
• Pay attention to the text phrasing. Pop music lives in its syllable placement, so honor where Narverud has positioned lyrics relative to the melodic line.

Consider this as a centerpiece for a concert that blends traditional and contemporary work, or as a strong closer for a pop or inspirational set. The 14 pages work well as a standalone feature without requiring a full concert's worth of programming time.

• Rhythmic independence in SATB texture
• Singing contemporary pop phrasing with correct vowel placement
• Balance and blend when moving between homophonic and polyphonic sections
• Stylistic interpretation of modern songwriting within a classical choral framework