Royals (arr. Deke Sharon): SATB Choral Octavo

Deke Sharon's arrangement captures the song's hypnotic groove and conversational tone without losing the original's bite. A cappella arrangements of contemporary pop require restraint, and this one knows exactly where to add texture and where to stay minimal, giving singers room to let the lyrics land while maintaining the energy that made the song culturally relevant.

Sleek and knowing. The arrangement preserves the song's cool detachment and dry wit, building power through precision rather than volume. Singing it should feel both conversational and controlled, like you're delivering a perfectly timed social commentary.

High school choirs looking to program contemporary repertoire that challenges students while connecting to their musical world. This works especially well for ensembles with strong intonation and rhythmic focus, and for directors seeking a cappella pieces that feel relevant to teen singers.

• Nail the rhythmic precision in the opening sections; the song's power comes from locked, tight entrances rather than expressive liberties.
• Let the text drive your phrasing. Lines like 'We are the revolution' demand conviction, so encourage singers to inhabit the attitude, not just the notes.
• Balance clarity of the lead voice (whether that's soprano or a featured section) against the supporting harmonies; the arrangement likely relies on one voice cutting through.

Pair this with other contemporary a cappella work for a full concert block that proves modern music can stand alongside classical repertoire. Or use it as an opener or closer that signals to your audience this is a choir that knows what matters to them. It's substantial enough for competition, accessible enough for a general concert.

• Rhythmic precision in pop/contemporary idioms
• Maintaining intonation in multi-part a cappella texture
• Balancing solo/featured voice with harmonic support
• Text interpretation in contemporary songwriting
• Voice leading across sections in minimal arrangements