Royal March of the Lion: String Orchestra Conductor Score & Parts
From Carnival of the Animals
By Camille Saint-Saëns / arr. Carrie Lane Gruselle
Grade: 1
Item: 00-PK-0008951
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| Product | Price | Quantity |
|---|---|---|
| Royal March of the Lion: Score | $10.00 | |
| Royal March of the Lion: 1st Violin | $3.00 | |
| Royal March of the Lion: 2nd Violin | $3.00 | |
| Royal March of the Lion: 3rd Violin (Viola [TC]) | $3.00 | |
| Royal March of the Lion: Viola | $3.00 | |
| Royal March of the Lion: Cello | $3.00 | |
| Royal March of the Lion: String Bass | $3.00 | |
| Royal March of the Lion: Piano Accompaniment | $3.00 |
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Description
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Royal March of the Lion: String Orchestra Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
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More about this title
About the Composer: Camille Saint-Saëns
Camille Saint-Saëns (1835-1921) was a French composer, organist, and pianist whose technical brilliance and gift for melody made him one of the most performed classical composers in education and concert halls worldwide. His "Carnival of the Animals" remains a cornerstone of music education, introducing young musicians to orchestration, character portrayal, and the joy of recognizable, engaging themes.
Why we love this
Carrie Lane Gruselle's arrangement captures the swagger and nobility of Saint-Saëns' lion theme while keeping the technical demands lean enough for Grade 1 orchestras. The portamento growl is a genuine moment of character work that engages every player and reminds students why they picked up their instruments in the first place.
What to expect
Stately and processional, with just enough personality to make rehearsals fun. Students immediately connect to the lion imagery and the portamento growl, which transforms a famous classical theme into a playful challenge that keeps their attention and builds their musicality.
Who it's for
Grade 1 string orchestras preparing a first major public performance or festival. This is ideal for conductors looking to program a recognizable, character-driven piece that builds student confidence without overwhelming beginning players.
How to get the most out of it
- Shape the portamento growl with weight and intention; it should sound like a regal announcement, not rushed. Let students feel the drama of the king's entrance.
- Keep the tempo steady and march-like. The piece thrives on forward momentum and clear pulse, so establish it early and anchor it in the lower strings.
- Balance the melody line so it sings over the accompaniment. In Grade 1 orchestras, this often means the first violins need a gentle reminder to project without forcing.
- Bring out the rhythmic drive of the accompaniment parts. They carry the pageantry; when they sit back, the march loses its ceremonial feel.
How to use it
Open a concert with this piece to set a theatrical tone and grab audience attention right away. It also works beautifully as a segue into other animal pieces or fables, or as a standalone showstopper that demonstrates how young orchestras can bring stories to life.
Skills your students will build
- Portamento technique and expressive bowing
- Steady ensemble pulse and march-like phrasing
- Melodic projection and balance in an orchestral texture
- Character portrayal through instrumental sound
- Coordination between multiple string parts