'Round We Go! Cover Image

'Round We Go!: Book

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'Round We Go! Cover Image

'Round We Go!: Book

40 New Rounds with Activities for Young Singers

By Elizabeth Gilpatrick

Grade: K--8

Item: 00-7993

$9.99
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Description
Don't miss this collection of 40 new original rounds for many occasions---seasonal rounds covering practically every holiday in the school year, as well as many "greeting" rounds, "parting" rounds and just plain fun-to-sing rounds. They range from light to serious, short to long and from two to four or more parts. Each round includes helpful teaching suggestions and activities such as movement and the use of rhythm instruments.

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Additional Details
Publisher: Alfred Music
Page Count: 48
ISBN10: 0-88284-491-1
ISBN13: 978-0-88284-491-6
UPC: 038081004150
SKU: 00-7993

More about this title

About the Composer: Elizabeth Gilpatrick

Elizabeth Gilpatrick

Elizabeth Gilpatrick brings three decades of public school music teaching to her work as a composer and clinician. She holds degrees in Music Education and Performance from the University of Wisconsin-Madison, completed her Orff certification at Northern Arizona University, and now directs the Summer Orff Schulwerk Training programs at the University of Northern Colorado while continuing to teach there. Her deep roots in Orff pedagogy inform everything she writes for young singers.

Gilpatrick has been a trusted voice in the field for years, serving on the editorial board of The Orff Echo and regularly appearing as a guest clinician at All-State gatherings and workshops across the US and Canada. Her published children's choral materials reflect her commitment to making music-making joyful and accessible for classrooms and ensembles at every level.

Why we love this

Rounds are one of the most reliable teaching tools in a general music classroom, and this collection recognizes that they're also genuinely fun to sing. Gilpatrick's 40 originals give you seasonal options (covering the entire school calendar), greeting and parting songs, and pieces purely for pleasure, eliminating the hunt through multiple sources for one-off rounds. The built-in teaching suggestions and activity ideas mean you're not starting from scratch when planning how to introduce each piece.

What to expect

These rounds range from light and playful to genuinely expressive, keeping the listening experience fresh across a full program or teaching year. Some are short enough to fill a five-minute warm-up slot; others have enough substance to become a real focal point of a lesson or concert.

Who it's for

General music teachers and classroom teachers who lead singing in K-8 settings will find this essential. It's equally useful for choir directors looking to build ensemble awareness and independence in younger singers without complex harmony.

How to get the most out of it

  • Start with unison or a single melody line before splitting into parts; let students hear the complete tune before they divide attention between their line and others'.
  • Use rhythm instruments or body percussion during rehearsals to help students lock into their independent parts without relying on the melody for orientation.
  • Incorporate the suggested movement activities early; kinesthetic awareness often clarifies rhythmic independence better than listening alone.
  • Record a simple instrumental or vocal accompaniment and have students sing along; hearing their round in context builds confidence and reveals tuning issues.

How to use it

Build a concert around seasonal rounds, threading them throughout the year as anchor pieces that change with the calendar. You can also weave individual rounds into longer rehearsals as part-singing training, using them as stepping stones before tackling more demanding ensemble repertoire.

Skills your students will build

  • Singing independently within an ensemble without being pulled by another melodic line
  • Understanding circular form and how parts interlock to create harmony
  • Maintaining steady rhythm while listening to rhythmically independent parts
  • Sight-reading melodic lines of increasing complexity across grades K-8
  • Building confidence with two-, three-, and four-part singing progressively

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