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'Round the Globe (Part 2): SSAA Choral Octavo

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'Round the Globe (Part 2) Cover Image

'Round the Globe (Part 2): SSAA Choral Octavo

Arr. Samuel Adler

Item: 00-LG52514

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Additional Details
Series: Alfred Archive Edition: Lawson-Gould Music Publishers
Publisher: Alfred Music
Page Count: 16
UPC: 783556016267
SKU: 00-LG52514

More about this title

About the Arranger: Samuel Adler

Samuel Adler is a prolific composer and arranger whose career spans more than seven decades. His work across orchestral, chamber, choral, and vocal genres has established him as a significant voice in American classical music, with particular strength in creating accessible yet sophisticated arrangements that serve both educational and professional ensembles.

Why we love this

Adler's arrangement brings genuine musical substance to a global song collection without oversimplifying the harmonic language or treating the material condescendingly. The four-part writing for SSA/SSAA voices creates genuine counterpoint and textural variety while remaining teachable, making this ideal for choirs that have moved beyond unison arrangements but aren't ready for complex divisi writing.

What to expect

Part 2 of this globe-spanning collection offers musical postcards from different traditions, each reharmonized and arranged to reveal fresh angles on familiar melodies. The writing carries warmth and clarity, inviting audiences into these songs without exoticizing them or stripping away their character.

Who it's for

This collection serves treble choirs, particularly high school or community ensembles with developing singers who can handle part-singing but benefit from music that rewards careful listening and harmonic awareness. Directors programming concerts with cultural or world music themes will find substantial, respectful arrangements that don't require advanced vocal technique.

How to get the most out of it

  • Balance the inner voices carefully in rehearsal; SSAA writing can obscure alto or second soprano lines if the full choir isn't listening inward during sectional work.
  • Use the octavo's original language markings as entry points for cultural context rather than pronunciation guides alone; understanding the source of each tune strengthens ensemble investment.
  • Shape phrases through the harmonic rhythm rather than forcing artificial breathing points; Adler's voicing often reveals natural musical architecture if you follow the underlying chord movement.

How to use it

Program these arrangements as a thematic concert block celebrating music across cultures, or weave individual selections throughout the season as concert openers that build audience rapport before heavier repertoire. The 16-page octavo format makes it manageable to learn multiple selections during a season.

Skills your students will build

  • Reading and singing in SSAA voicing with independent part security
  • Understanding harmonic function through Adler's reharmonization choices
  • Maintaining textural clarity across four parts while supporting the melodic line
  • Accessing cultural context and historical background of world music sources

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