Round And Round (from The Voice) (arr. Ed Lojeski) Sheet Music Preview

Round And Round (from The Voice) (arr. Ed Lojeski): SAB Choral Octavo

As performed by Jennifer Hudson / As performed by Perry Como / Arranged by Ed Lojeski

Item: 35-DS00448829

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Additional Details
Publisher: Hal Leonard
Page Count: 11
SKU: 35-DS00448829

More about this title

About the Artist: Jennifer Hudson

Jennifer Hudson emerged as a powerhouse vocalist through her appearance on American Idol, then built an acclaimed career spanning music, Broadway, and film. Her voice combines technical sophistication with emotional immediacy, making her interpretations of standards and contemporary songs equally compelling. Hudson's artistry has earned her a Grammy Award, an Academy Award, and a Tony Award nomination, establishing her as one of the most versatile performers of her generation.

Why we love this

Lojeski captures Hudson's warmth and interpretive depth in an arrangement that feels both contemporary and genuinely singable for SAB ensembles. The three-part voicing preserves the emotional core of the original while creating natural, supported lines that don't demand extreme range or technique. This is the kind of secular holiday piece that reminds singers why the season matters musically.

What to expect

Nostalgic yet present, this arrangement carries the warmth of a familiar song while honoring the intimate quality Hudson brings to every performance. The harmonic language is rich enough to feel substantial without becoming complicated, creating a musical experience that's both grounded and uplifting.

Who it's for

Choirs seeking a contemporary holiday selection that feels fresh without abandoning musicality. Directors want a piece that engages singers emotionally while remaining accessible to mixed ensembles of intermediate ability. The arrangement works equally well for concert settings, worship services, or community performances.

How to get the most out of it

  • Let the vulnerability of the lyric shape your approach to phrasing rather than pushing for theatrical projection; this piece rewards intimacy.
  • Blend the three parts by thinking of them as a single harmonic thought rather than separate lines; balance shouldn't feel distributed so much as integrated.
  • Pay attention to the accompaniment texture in rehearsal; the recorded track will show you exactly how much space exists for the singers' voices.

How to use it

Position this as the emotional anchor of a holiday concert, particularly in the second half where programming can shift from celebratory to reflective. It pairs naturally with other Hudson arrangements or contemporary pop settings, and works equally well as a concert closer or a bridge into a more serious choral work.

Skills your students will build

  • Blending three independent vocal lines while maintaining individual line integrity
  • Sustaining phrase length and managing breath placement across longer musical ideas
  • Interpreting lyrical content as a guide for vocal color and dynamic shaping
  • Following a recorded accompaniment with rhythmic precision and musical responsiveness

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