Round And Round (from The Voice) (arr. Ed Lojeski): SATB Choral Octavo

Ed Lojeski's arrangement captures the warmth of a classic holiday tune while giving it contemporary polish through accessible SATB writing. The arrangement honors the song's nostalgic roots without requiring virtuosic solo singing, making it genuinely performable for mixed choirs at the community level. It's the kind of piece that sounds sophisticated in concert yet doesn't demand months of rehearsal to achieve professional results.

Nostalgic yet polished, this arrangement wraps listeners in the comfort of a beloved song while adding touches of modern warmth. The voices move together in ways that feel both familiar and freshly arranged, creating a performance that feels earnest rather than overwrought.

This arrangement works well for choirs preparing holiday concerts, especially ensembles seeking contemporary treatments of familiar material. Mixed choirs of intermediate ability will find the voice leading singable and the part independence clear enough to maintain without constant reinforcement from the director.

• Balance the melody between soprano and alto parts during passages where the line is shared; neither voice should dominate, but rather blend into a single musical phrase.
• Shape the dynamic contours with attention to text painting; let the lyrics guide your crescendos and releases rather than forcing a predetermined curve.
• Keep the rhythm section (bass and tenor) steady and supportive, resisting the urge to rush during faster sections or drag during moments of reflection.
• Use the full dynamic range available; holiday arrangements often benefit from contrast, so commit to softer passages as fully as you do to the fuller climaxes.

Pair this with other contemporary holiday treatments to create a set that balances tradition with modern sensibility, or use it as a closing encore that sends the audience out feeling both festive and deeply satisfied. The eleven-page score is substantial enough to anchor a holiday program's second half without overwhelming your rehearsal schedule.

• Blending voice parts within an SATB texture
• Interpreting lyrics to shape musical phrasing
• Reading contemporary choral arrangements based on familiar melodies
• Balancing independence and unison in shared melodic lines