Rondo in G minor, Op. 94/B. 181 Cover Image

Rondo in G minor, Op. 94/B. 181: Full Orchestra, Solo Strings with Ensemble, Conductor Score & Parts

$35.00 USD
$35.00 USD
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Rondo in G minor, Op. 94/B. 181 Cover Image
Rondo in G minor, Op. 94/B. 181: Full Orchestra, Solo Strings with Ensemble, Conductor Score & Parts

Rondo in G minor, Op. 94/B. 181: Full Orchestra, Solo Strings with Ensemble, Conductor Score & Parts

By Antonín Dvorák

Item: 36-A143102
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Description
In 1892 Antonín Dvorák (1841-1904) embarked on a "farewell" tour of Bohemian and Moravian cities prior to departing for the United States, and he chose his friends, violinist Ferdinand Lachner and cellist Hanuš Wihan, as travel companions. For the tour Dvorák arranged some of his earlier works for Wihan and he also wrote a completely new Rondo in G minor for solo cello with piano accompaniment. Two years later he arranged the work's piano accompaniment for small orchestra. Instrumentation: 0.2.0.2: 0.0.0.0: Timp.Str (9-8-7-6-5 in set): Solo Cello in set.

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Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
UPC: 659359504075
SKU: 36-A143102
Instrumentation: 0.2.0.2: 0.0.0.0: Timp.Str (9-8-7-6-5 in set): Solo Cello in set

More about this title

About the Composer: Antonín Dvorák

Antonín Dvorák (1841-1904) was a Czech composer who bridged Romantic nationalism and absolute music forms. His mastery of melody, orchestration, and structural clarity made him one of the most performed composers of the nineteenth century. Dvorák spent much of his career traveling and promoting his work across Europe and North America, building a reputation as a generous mentor and a prolific writer for nearly every musical genre.

Why we love this

This work captures Dvorák at a moment of personal significance—composed during his farewell tour before leaving for America and written explicitly for celebrated friends. The piece demands a skilled soloist but rewards orchestras with a lean, elegant accompaniment (two oboes, two bassoons, timpani, and strings) that keeps the focus squarely on the cello while maintaining rich harmonic color.

What to expect

Lyrical and introspective, the rondo unfolds with the intimate quality of chamber music enlarged to orchestral proportions. Dvorák's gift for memorable melody shines throughout; the piece balances warmth and subtle melancholy in a way that feels both immediate and deeply human.

Who it's for

This work suits orchestras with a strong principal cellist and a willingness to highlight solo strings within the ensemble context. Orchestras preparing concert programs that celebrate individual artistry or that need shorter, dramatically complete works will find this rondo especially valuable.

How to get the most out of it

  • Balance the solo cello line prominently in the opening sections; the orchestral accompaniment should support without masking the soloist's narrative voice.
  • Shape the string section accompaniment with long, flexible phrases rather than mechanically strict rhythmic patterns; this allows the cellist more interpretive freedom.
  • Give timpani entrances clear articulation and weight so they mark structural turning points without overwhelming the texture.
  • Prepare the oboes to play with warmth and transparency, especially in their doubling of string lines; they add color, not volume.

How to use it

Program this as a spotlight for your principal cellist within a concert that also features chamber works or other string-focused repertoire. The modest instrumentation and concentrated emotional arc (roughly ten minutes) make it an ideal pairing with larger orchestral works, allowing a natural program transition without a full intermission.

Skills your students will build

  • Balancing solo line projection with ensemble accompaniment in a string and wind setting
  • Shaping long melodic phrases across harmonic changes
  • Coordinating rhythmic independence between soloist and ensemble
  • Responding to expressive, non-metronomic interpretation from a featured soloist

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