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Rondine, La (The Swallow) (complete): Serious Opera, Orchestra Accompaniment, Conductor Score & Parts

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Rondine, La (The Swallow) (complete) Cover Image

Rondine, La (The Swallow) (complete): Serious Opera, Orchestra Accompaniment, Conductor Score & Parts

By Giacomo Puccini/ Italian libretto by Giuseppe Adami, translated and adapted from a German libretto by Alfred M. Willner and Heinz Reichert

Item: 36-A785302

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Description
LA RONDINE (THE SWALLOW) is a comic opera composed by Giacomo Puccini (1858-1924), with the Italian libretto by Giuseppe Adami, translated and adapted from a German libretto by Alfred M. Willner and Heinz Reichert. Magda, the mistress of the wealthy Rambaldo, meets the poet and fortune teller, Prunier at a party and is intrigued by his reading that she is a "swallow" and needs true love to be happy. Emboldened by this revelation, she meets and falls in love with Ruggero and leaves Rambaldo but returns to him at the end of the opera when she realizes that Ruggero's family would not accept her past career as a courtesan. La Rondine premiered at the Opéra de Monte-Carlo in Monaco in March 1917. Puccini made three versions (1917, 1920, 1921) of this work but died before clearly deciding on a final version. This edition is the original 1917 version. Instrumentation: 3(3rd d.Picc).2+EH.2+BCl.2: 4.3.3+BTbn.0: Timp: Perc(6-7): Hp:Clst:Pno: Str (4.4.3.3.3 in set): Vocal Soli (14 roles, SSSSSATTTBBBBB): Chorus. Reprint edition.

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Additional Details
Series: Kalmus Opera Library
Publisher: Keiser Productions, Inc.
UPC: 676737514327
SKU: 36-A785302
Instrumentation: 3(3rd d.Picc).2+EH.2+BCl.2: 4.3.3+BTbn.0: Timp: Perc(6-7): Hp:Clst:Pno: Str (4.4.3.3.3 in set): Vocal Soli (14 roles, SSSSSATTTBBBBB): Chorus

More about this title

About the Composer: Giacomo Puccini

Giacomo Puccini (1858-1924) stands as one of opera's most performed composers, known for his gift for lyrical melody and his ability to draw audiences into intimate human drama. His operas prioritize singability and emotional directness; even in complex orchestral passages, the voice remains paramount. Puccini composed twelve operas across his lifetime, each revealing his evolving approach to structure, harmony, and dramatic pacing.

La Rondine represents a departure from some of Puccini's darker works. Lighter in tone than Tosca or La Bohème, it showcases his mastery of ensemble writing and his skill at balancing comic and sentimental moments. The opera's three versions (1917, 1920, 1921) reflect Puccini's ongoing refinement of the score, and this edition preserves the original 1917 conception, offering conductors and singers insight into his initial artistic vision.

Why we love this

La Rondine offers opera companies and university programs a full-length Puccini score that sits outside the standard repertory canon, bringing freshness to a season while maintaining the composer's signature lyricism and ensemble craftsmanship. The libretto's lighter, more romantic storyline creates space for singers to find humor and humanity in their roles without the weight of tragedy that dominates his other works. This is the original 1917 version, making it historically and musically distinct from later editions and ideal for conductors seeking to program an underperformed gem.

What to expect

La Rondine glows with romantic yearning wrapped in elegant comedy. Puccini's orchestration shimmers with harp, celesta, and lush string writing that evokes the world of wealth and pleasure, while the vocal lines soar with the effortless beauty his operas are known for. The score balances moments of intimate tenderness with sparkling ensemble scenes, creating an opera that feels both sophisticated and deeply human.

Who it's for

This score and parts package serves opera companies, university opera programs, and regional theaters mounting a full production with orchestra. It requires a conductor experienced in Puccini's orchestration and singers prepared for demanding lyric and dramatic roles across a broad range of tessituras.

How to get the most out of it

  • Balance the vocal soloists with an orchestra that spans piccolo to bass trombone; Puccini's orchestration is dense and colorful, so maintain clarity in the ensemble passages by listening carefully to how each instrumental family supports the singing line.
  • Shape the chorus parts with attention to their dramatic function. La Rondine features party scenes and ensemble moments where the chorus acts as both vocal texture and dramatic presence; rehearse them as active participants, not background color.
  • Conduct with clarity through the meters and tempo changes. Puccini shifts between lyrical sections and quicker comic passages, and a precise beat helps singers navigate both the legit singing and the rhythmic precision required in dialogue-driven moments.
  • Communicate with your rehearsal pianists about the reduced score versions available; coordinating which edition your singers study ensures consistency during rehearsal and reduces confusion when moving to full orchestra.

How to use it

Program La Rondine when your opera season calls for a full-length Puccini work that stands apart from the frequently performed trio of La Bohème, Tosca, and Turandot. Its romantic plot and manageable (though large) orchestra make it accessible for both traditional opera stages and university productions. The 1917 original version also appeals to programs exploring compositional revision and historical opera practices.

Skills your students will build

  • Conducting Puccini's dense, colorful orchestration and managing multiple instrumental families
  • Shaping long vocal lines with legit singing technique while maintaining dramatic clarity
  • Coordinating 14 solo roles and chorus in ensemble passages and party scenes
  • Navigating tempo flexibility and character shifts between lyrical and comic moments
  • Understanding the structural differences in the three versions and their historical context

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