Rondeau Fanfare Cover Image

Rondeau Fanfare: String Orchestra Conductor Score & Parts

$35.00 USD
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Rondeau Fanfare Cover Image

Rondeau Fanfare: String Orchestra Conductor Score & Parts

By Jean Joseph Mouret / arr. Justino E. Perez

Grade: 1.5

Item: 36-50250147

$35.00
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Description
This arrangement of Mouret's famous work is set up like a Baroque concerto grosso, allowing you to feature soloists at an early grade level. Minimal hooked bowings, slurs on adjacent notes, and some low 2s for upper strings all make an appearance.

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Additional Details
Series: LudwigMasters Beginning Strings
Publisher: Keiser Productions, Inc.
UPC: 660355062483
SKU: 36-50250147
Instrumentation: String Orchestra

More about this title

About the Composer: Jean Joseph Mouret

Jean Joseph Mouret (1682-1738) was a French Baroque composer whose instrumental works bridged the gap between dance suite and concerto grosso forms. He held significant positions at the French court and was known for writing music that balanced formal structure with direct, memorable melodic appeal. His fanfare-style pieces remain staples in string education because they combine ceremonial grandeur with accessible harmonic language.

Why we love this

Perez's concerto grosso treatment unlocks what makes this work so teachable: students grasp the contrast between full ensemble and solo passages immediately, and early-grade players can step into featured roles without drowning in technical demands. The scoring respects young string players' bow control while still delivering the fanfare's inherent brilliance.

What to expect

Stately and bright, with the ceremonial weight of a royal trumpet call translated into strings. The concerto grosso layout creates a conversational quality: the ensemble speaks, the soloists answer, and the energy builds without ever feeling rushed.

Who it's for

String orchestras at the early-intermediate level who are ready to explore Baroque forms and ensemble textures. Directors seeking a masterwork that doesn't require advanced vibrato technique, extended position work, or complex rhythmic reading.

How to get the most out of it

  • Shape the fanfare motive with clear articulation at the phrase beginnings; avoid letting it blur into one long melodic line.
  • Balance the soloists prominently against the ripieno strings so the concerto grosso texture reads from the audience.
  • Keep the rhythmic pulse steady through the hooked bowings; younger players often rush or drag when navigating the group articulation.
  • Reserve vibrato for full-ensemble passages to keep soloists' tone pure and direct, which suits the Baroque idiom.

How to use it

Open a concert with this piece to establish elegance and control right away, or pair it with a contrasting Romantic work to show your ensemble's range. It works equally well as a formal encore or as part of a Baroque-focused program that includes other period arrangements.

Skills your students will build

  • Reading and executing hooked bowings in unison
  • Responding to soloists' phrasing while maintaining ensemble cohesion
  • Understanding concerto grosso texture and the contrast between ripieno and solo voices
  • Playing with clear articulation in the upper register using first and second positions
  • Sustaining low second-position shifts on upper strings with rhythmic stability

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