Romeo and Juliet: Symphonie Dramatique, Op. 17: Love Scene Cover Image

Romeo and Juliet: Symphonie Dramatique, Op. 17: Love Scene: Conductor Score & Parts

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Romeo and Juliet: Symphonie Dramatique, Op. 17: Love Scene Cover Image

Romeo and Juliet: Symphonie Dramatique, Op. 17: Love Scene: Conductor Score & Parts

By Hector Berlioz

Item: 36-A131803

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Additional Details
Series: Kalmus Choral Library
Publisher: Keiser Productions, Inc.
UPC: 660355126093
SKU: 36-A131803
Instrumentation: 2, 1+1, 2, 4 - 4, 0, 0, 0, str, mx chor, off stage chorus

More about this title

About the Composer: Hector Berlioz

Hector Berlioz (1803-1869) was a French Romantic composer who fundamentally reshaped orchestration and expanded the expressive range of instrumental music. His innovations in timbre, harmony, and form influenced generations of composers and established new possibilities for how orchestras could tell stories without words.

Berlioz wrote for the concert hall and opera house with equal ambition, blending literary inspiration with unprecedented instrumental color. His conducting career and extensive writings on orchestration made him not just a composer but a theorist who taught musicians how to think about sound itself.

Why we love this

This movement captures one of Berlioz's greatest gifts: the ability to sustain lyrical intensity across a large ensemble without sacrificing clarity or momentum. The Love Scene demands expressive unity from strings while the winds and brass provide both support and dramatic punctuation, making it a masterclass in orchestral balance that rewards careful conducting and rehearsal.

What to expect

Tender and yearning, with moments of urgent passion held in check by careful orchestration. The music breathes with the intimacy of a love scene while maintaining the grand theatrical scale Berlioz commanded, creating an atmosphere both vulnerable and monumentally romantic.

Who it's for

Orchestras and chamber orchestras seeking music-dramatic repertoire that showcases string writing and expressive conducting. Ensembles comfortable with Romantic harmonic language and able to balance a moderate-sized ensemble with supplementary chorus will find this movement both rewarding and accessible within its idiom.

How to get the most out of it

  • Establish a consistent warm, singing tone across all string sections from the opening; Berlioz writes long melodic lines that dissolve if the ensemble sounds thin or brittle.
  • Shape phrases with subtle tempo flexibility rather than rigid adherence to the marked tempo; the harmonic language and suspended chords reward gentle rubato that respects the romantic character.
  • Balance the off-stage chorus carefully in relation to the main orchestral sound; it should feel distant and ethereal, not competing with the dramatic foreground.
  • Conduct the wind entries with precision and independence; they often provide harmonic color or rhythmic support, and slight hesitation or vagueness will blur the orchestration Berlioz conceived.

How to use it

Program this as a centerpiece movement that pairs well with other Romantic symphonic or vocal-orchestral works; it stands alone convincingly without requiring the full Romeo and Juliet symphonie. The inclusion of an off-stage chorus makes it ideal for concerts that feature choral collaboration or benefit from dramatic programming variety.

Skills your students will build

  • Reading and executing sustained legato phrasing across multiple phrases without break
  • Balancing transparent orchestration when strings, winds, and off-stage voices sound simultaneously
  • Responding to subtle conducting inflection in a large ensemble
  • Sustaining a consistent romantic character and vocal tone quality over extended passages
  • Coordinating ensemble entrances involving both stage and off-stage forces

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