Romeo and Juliet, Act IV, Chamber Scene: Nuit d'Hymenee (soprano, tenor) Cover Image

Romeo and Juliet, Act IV, Chamber Scene: Nuit d'Hymenee (soprano, tenor): Serious Opera, Orchestra Accompaniment, Conductor Score

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Romeo and Juliet, Act IV, Chamber Scene: Nuit d'Hymenee (soprano, tenor) Cover Image

Romeo and Juliet, Act IV, Chamber Scene: Nuit d'Hymenee (soprano, tenor): Serious Opera, Orchestra Accompaniment, Conductor Score

By Charles Gounod/ Libretto by Jules Barbier and Michael Carré

Item: 36-A353701

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Description
Charles Gounod (1818-1893) completed the five-act opera ROMÉO ET JULIETTE (ROMEO AND JULIET) in 1867. With a libretto by Jules Barbier and Michael Carré, the opera tells the tragic story of Shakespeare's play with little deviation. The work is well-known for the series of four duets sung by the main characters and the waltz song AH! JE VEUX VIVRE as sung by the soprano lead. It premiered on April 27, 1867, at the Théâtre Lyrique in Paris, Adolphe Deloffre conducting. The aria NUIT D'HYMENEE (Chamber Scene) opens Act IV and is sung by Romeo and Juliet as they awaken in Juliet's room.

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Additional Details
Series: Kalmus Opera Library
Publisher: Keiser Productions, Inc.
ISBN10: 8-89-270688-8
ISBN13: 979-8-89-270688-9
UPC: 659859235585
SKU: 36-A353701
Instrumentation: 2.1+EH.2.2: 4.2.3.0: Timp: 2Hp: Str (4.4.3.3.3 in set): Solo Sop and Ten

More about this title

About the Composer: Charles Gounod

Charles Gounod (1818-1893) was a French composer whose gift for melody and dramatic sensibility made him one of the most performed operatic voices of the nineteenth century. His training at the Conservatoire de Paris under Antoine Reicha and his early experience in sacred music informed a compositional style that blended Italian lyricism with French elegance, producing works that remain repertory standards in opera houses worldwide.

Why we love this

This chamber scene captures the opera's emotional heart with direct, singable writing that showcases the soprano and tenor voices in a moment of genuine intimacy. The orchestration provides atmospheric support without overwhelming the singers, and the melodic material is accessible enough for strong singers to inhabit without getting tangled in technical difficulties. Programming this excerpt offers a way to explore Gounod's genius for vocal line without committing to a full five-act opera.

What to expect

The Nuit d'Hymenee breathes with romantic tenderness and quiet joy. Gounod's melody unfolds naturally, full of lyricism and emotional directness, while the orchestration creates an intimate nocturnal atmosphere that matches the text's evocation of the newlyweds' stolen night together.

Who it's for

This conductor score serves opera companies, college and high school opera programs, and ensembles preparing excerpts from Gounod's most famous work. Soprano and tenor soloists with classical vocal training and orchestras or concert bands capable of handling the full instrumentation will find this a rewarding addition to serious opera programming.

How to get the most out of it

  • Balance the soprano and tenor lines so both voices register clearly; the lyricism only works if the audience hears both characters singing
  • Shape the melodic phrases with breath and intent, treating this as a scene between two people rather than a formal duet number
  • Work with your conductor to maintain a steady but unhurried tempo; the beauty of this writing depends on singers having room to express without rushing
  • Pay attention to the orchestral cues for entry and phrasing; Gounod's accompaniment guides the singers' lines rather than competing with them

How to use it

This excerpt works beautifully as a concert opener or centerpiece in a gala or opera showcase, especially when paired with other famous duets or arias from the Romantic repertoire. It can also anchor an evening exploring French opera, allowing audiences to experience one of the work's most moving moments without the commitment of staging a full production.

Skills your students will build

  • Singing sustained legit soprano and tenor lines over orchestral accompaniment
  • Musical communication between two singers in a lyrical duet context
  • Following conductor cues while maintaining independent vocal line integrity
  • Interpreting Romantic-era text and melody with appropriate dramatic shape

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