Romance (from Morceaux de Salon, Op. 6, No. 1) Cover Image

Romance (from Morceaux de Salon, Op. 6, No. 1): Viola, Solo with Piano, Book

$12.00 USD
$12.00 USD
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Romance (from Morceaux de Salon, Op. 6, No. 1) Cover Image
Romance (from Morceaux de Salon, Op. 6, No. 1): Viola, Solo with Piano, Book

Romance (from Morceaux de Salon, Op. 6, No. 1): Viola, Solo with Piano, Book

By Sergei Rachmaninoff, ed./arr. by Amy Barlowe

Item: 36-BSMIS133
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Description
Sergei Rachmaninoff (1873-1943) composed MORCEAUX DE SALON, Op. 6 for violin and piano in 1893. In two movements, the first is the beautiful Romance. Amy Barlowe has transcribed this first movement for viola and piano.

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Additional Details
Series: Black Squirrel Music - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 8-89-270468-0
ISBN13: 979-8-89-270468-7
UPC: 659359657979
SKU: 36-BSMIS133
Instrumentation: Viola, Piano

More about this title

About the Composer: Sergei Rachmaninoff

Sergei Rachmaninoff (1873-1943) stands as one of the last great Romantic composers, bridging the 19th and 20th centuries with music of profound lyricism and technical brilliance. A pianist, conductor, and prolific composer, Rachmaninoff created works across all genres: concertos, symphonies, operas, choral music, and intimate chamber pieces that showcase his gift for sweeping melody and harmonic richness.

For music educators, Rachmaninoff's repertoire offers students access to Late Romantic idiom at multiple levels. His salon pieces and smaller works introduce learners to his distinctive voice without requiring virtuosic demands, making them ideal for developing musicians seeking to explore expressive depth and sophisticated harmony.

Why we love this

Amy Barlowe's transcription opens Rachmaninoff's lyrical writing to violists, a gift for a string section that often lacks solo repertoire at this level of accessibility. The Romance draws on the composer's gift for singing melody, giving viola players a genuine solo vehicle with musical substance, not a secondary arrangement. Programming this piece signals that your ensemble values the viola as a solo voice.

What to expect

Warm, introspective, and flowing. The Romance unfolds as a meditation, with Rachmaninoff's signature long-lined melody supported by rich piano harmonies that evoke the comfort of a drawing room performance. The piece breathes with the elegance of a Romantic salon work, asking the violist to connect deeply with sustained singing tone.

Who it's for

Intermediate to early advanced violists seeking solo literature that demands musical maturity and tonal control rather than extreme technical facility. This transcription suits recital programs, studio recitals, and concert settings where a single performer needs a vehicle that honors the viola's expressive range.

How to get the most out of it

  • Shape long phrases with subtle dynamic contours rather than a single sustained volume; Rachmaninoff's melodies bloom when the line breathes naturally
  • Balance tone production with the piano's character; let the accompaniment anchor harmonic context while the viola sings above it
  • Take time with transitions between sections to let emotional shifts register clearly without rushing the pacing
  • Explore vibrato as a coloristic tool; add it selectively to emphasize lyrical peaks and harmonic arrivals

How to use it

Program this as a recital centerpiece, either standalone or paired with other Romantic viola or string solos to build a thematic concert. It works equally well as a chamber music offering in a mixed instrumental concert, providing a lyrical interlude between larger ensemble works.

Skills your students will build

  • Long-phrase legato playing with consistent tone across register
  • Dynamic shaping and phrasing independent of accompaniment
  • Vibrato control and expressive timing
  • Collaborative listening with piano accompaniment
  • Interpretation of Romantic-era harmonic language and rubato

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