Rolling Stones: The Music Tour: String Bass Sheet Music Preview

Rolling Stones: The Music Tour: String Bass

Featuring: Honky Tonk Woman / (I Can't Get No) Satisfaction / Ruby Tuesday / Brown Sugar

By Mick Jagger and Keith Richards / arr. Victor López

Grade: 3 (Medium Easy)

Item: 00-PC-0015646_SB

Digital Download
$3.00
Description
All the favorites are included in this jam-packed medley. "Rolling Stones: The Music Tour" contains "Honky Tonk Woman," "(I Can't Get No) Satisfaction," "Ruby Tuesday" and "Brown Sugar." Mick Jagger and Keith Richards created these rock-and-roll classics; Victor López has scored them for your concert band's pop program. The moms and pops will love reminiscing with this diverse hot rock medley.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Rolling Stones: The Music Tour: String Bass comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: Pop Concert Band
Publisher: Alfred Music
Page Count: 268
SKU: 00-PC-0015646_SB

More about this title

About the Composer: Mick Jagger

Mick Jagger co-wrote the songs in this medley during The Rolling Stones' most prolific period, establishing himself as one of rock's most distinctive lyricists and performers. His partnership with Keith Richards produced some of the most recognizable rock compositions of the 20th century, influencing generations of songwriters across multiple genres.

Why we love this

Victor López's arrangement strips these iconic tracks down to their essential grooves and melodies without losing the swagger that made them hits. Concert bands rarely get to perform repertoire this engaging for the entire audience, not just classical music devotees, and the Grade 3 difficulty keeps rehearsals focused on musicianship rather than technical survival.

What to expect

Four back-to-back adrenaline hits. Each song brings its own flavor (the bluesy shuffle of "Honky Tonk Woman," the raw defiance of "(I Can't Get No) Satisfaction," the melodic sophistication of "Ruby Tuesday," and the driving swagger of "Brown Sugar"), yet the medley structure keeps momentum rolling from start to finish. Your audience will be smiling and moving in their seats.

Who it's for

Concert band directors looking to program contemporary rock repertoire for audiences beyond the typical classical listener. Students at the Grade 3 level who thrive on recognizable, high-energy material and benefit from the motivational boost of playing songs their families actually know.

How to get the most out of it

  • Keep the rhythm section tight and confident. The groove is the foundation of every tune here, so lock the drums, bass, and rhythm guitars into a pocket early and never let it drift.
  • Balance the lead melodic voices against the harmonic backdrop. These songs rely on catchy hooks, so make sure your principal players can sing the themes clearly while the ensemble supports without overwhelming.
  • Lean into the attitude. Rock and roll has a swagger that classical technique alone can't deliver. Find the swagger in your phrasing, articulation choices, and ensemble balance.
  • Use the opening of each song to establish its character. These are recognizable tunes for your audience, so nail the intro to immediately signal which song is coming next.

How to use it

Position this medley as your pop concert finale or as a bridge between your classical program and audience favorites. It works particularly well in spring pops concerts, fundraisers, or community events where you want to showcase your ensemble's versatility and draw families who might not typically attend traditional band concerts.

Skills your students will build

  • Playing with rhythmic precision in rock grooves and syncopated patterns
  • Balancing lead melodies against ensemble texture
  • Maintaining consistent energy and articulation across multiple consecutive pieces
  • Responding to style cues specific to rock and pop music (phrasing, dynamics, attitude)

You May Also Like