Rolling In The Deep Sheet Music Preview

Rolling In The Deep: SAB Choral Octavo

By Paul Epworth / By Adele Adkins / As performed by Adele / As performed by Glee Cast / Arranged by Mark Brymer / Arranged by Tim Davis / Arranged by Adam Anders

Item: 35-DS00195540

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Publisher: Hal Leonard
Page Count: 18
SKU: 35-DS00195540

More about this title

About the Composer: Paul Epworth

Paul Epworth earned his reputation as one of pop music's most reliable hit makers by crafting songs that balance immediate hooks with genuine emotional weight. His work on 'Rolling in the Deep' exemplifies his gift for building arrangements that start lean and stripped back before exploding into propulsive, undeniable rhythm. Beyond the studio, Epworth's songs have become classroom staples precisely because they contain the melodic clarity and structural intelligence that make them educational gold without sacrificing the energy that keeps students engaged.

As an arranger and producer, Epworth understands how songs function across different vocal configurations. This arrangement channels the original's raw intensity while respecting the practical realities of school choirs, maintaining the song's defiant spirit and driving momentum in a voicing that works for mixed ensembles.

Why we love this

This arrangement preserves everything that makes 'Rolling in the Deep' irresistible: the syncopated rhythmic drive, the building intensity, and the emotional punch that lands in every measure. Mark Brymer, Tim Davis, and Adam Anders have crafted a version that respects the original while opening it up for three-part voices, giving your singers a song they already know and love while keeping them focused on genuine musical challenges rather than technical compromise.

What to expect

Defiant, propulsive, and exhilarating. The arrangement channels the original's righteous intensity without losing sight of its melodic core. This is a song that feels good to sing because it swings, builds intelligently, and gives every voice line something distinctive to do.

Who it's for

Choirs with singers in grades 6 through 12 who can handle contemporary pop arrangements with rhythmic sophistication. This works best for ensembles that have solid sight-reading skills and aren't intimidated by syncopation and non-traditional harmonic movement.

How to get the most out of it

  • Lock the rhythm section (SAB) into a tight pocket from measure one; the groove is everything, and rhythmic clarity matters more than interpretive flexibility in the opening statements.
  • Build dynamic intensity across the form rather than front-loading everything. The arrangement's power comes from the accumulation of voices and texture, so resist the urge to sing full volume too early.
  • Emphasize the syncopation in the alto line, particularly where it sits against the soprano and bass; these moments define the arrangement's contemporary edge.
  • Sustain the confidence and assertiveness in the text. This song demands singers who commit to the attitude, not just the notes.

How to use it

Program this as the anchor of a contemporary or pop-focused concert segment, where it can sit alongside other recent hits or film and television music. The arrangement's 18 pages and performance energy also make it ideal for spring concerts where you want to close a set or open a second half with immediate impact and relevance to your student singers.

Skills your students will build

  • Syncopated rhythm reading in contemporary pop contexts
  • Three-part harmonic independence with non-traditional chord progressions
  • Sustaining energy and groove across longer forms
  • Balancing rhythmic precision with expressive interpretation
  • Building ensemble cohesion in rhythmically complex material

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