Rodgers and Hammerstein On Broadway (Medley) (arr. Mac Huff) Sheet Music Preview

Rodgers and Hammerstein On Broadway (Medley) (arr. Mac Huff): SAB Choral Octavo

By Rodgers Hammerstein / Arranged by Mac Huff

Item: 35-DS00475870

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Additional Details
Publisher: Hal Leonard
Page Count: 37
SKU: 35-DS00475870

More about this title

About the Composer: Rodgers Hammerstein

Richard Rodgers and Oscar Hammerstein II transformed American musical theater during the mid-twentieth century, creating a body of work that defined the modern Broadway sound. Their partnership began with Oklahoma! in 1943 and produced some of the most frequently performed scores in music education: The Sound of Music, South Pacific, The King and I, Carousel, and others. Their melodies combine accessibility with genuine sophistication, making them ideal teaching tools for developing musical literacy.

What makes Rodgers and Hammerstein essential to choral programs is their structural clarity. Their songs sit naturally in the voice, their harmonies support ensemble singing without overwhelming it, and their lyrics tell stories that engage singers and audiences alike. Generations of music directors have relied on their catalog to build repertoire that sounds polished quickly while teaching students how to shape phrase, balance voices, and communicate emotion through song.

Why we love this

Mac Huff's medley captures the breadth of the Rodgers and Hammerstein legacy in a single rehearsal package. Rather than cherry-picking isolated showstoppers, this arrangement strings together multiple selections, giving your choir a genuine Broadway revue experience while managing the rehearsal time investment. The SAB voicing opens these beloved songs to mixed choirs that might otherwise shelve them for lack of four-part material.

What to expect

Stepping into a Rodgers and Hammerstein medley feels like walking through a well-lit theater lobby filled with moments of genuine joy, romance, and wistfulness. The arrangement honors the songs' theatrical heritage while keeping the focus on the choir's voices rather than elaborate staging requirements.

Who it's for

This medley works for intermediate to advanced mixed choirs seeking substantial but manageable Broadway material. It suits groups preparing concert or musical theater programming and appeals to singers who grew up listening to these iconic scores.

How to get the most out of it

  • Treat each song segment as its own dramatic moment. The transitions between selections offer a chance to reset the emotional tone; avoid letting one number bleed into the next without intention.
  • Balance the middle voice carefully. In SAB writing, the alto line often carries harmonic independence that can muddy if not voiced with clarity; use sectional rehearsals to build confidence in that part.
  • Honor the lyrical storytelling. These melodies exist in service of narrative. Encourage singers to connect emotionally to each song's context rather than treating the medley as pure technique work.
  • Shape phrase endings deliberately. Rodgers and Hammerstein melodies reward singers who listen for the natural rise and fall within each line; work phrases in isolation before adding full harmonies.

How to use it

Feature this as the centerpiece of a spring concert or as a standalone set in a musical theater showcase. Its length and scope make it substantial enough to anchor a program without requiring a full production apparatus. Many directors also use Rodgers and Hammerstein medleys as bridge material between classical and contemporary repertoire, helping audiences understand the lineage of American choral music.

Skills your students will build

  • Shifting between multiple song styles and keys within a continuous performance
  • Sustaining musical focus through a 37-page work without separate rehearsal breaks
  • Balancing SAB voicing with maintained blend across changing harmonic textures
  • Coordinating ensemble phrasing and cutoffs across medley transitions
  • Connecting lyrics to emotional subtext across varied theatrical scenarios

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