Rodgers and Hammerstein On Broadway (Medley) (arr. Mac Huff) Sheet Music Preview

Rodgers and Hammerstein On Broadway (Medley) (arr. Mac Huff): 2-Part Choral Octavo

By Rodgers Hammerstein / Arranged by Mac Huff

Item: 35-DS00475867

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Additional Details
Publisher: Hal Leonard
Page Count: 37
SKU: 35-DS00475867

More about this title

About the Composer: Rodgers Hammerstein

Richard Rodgers and Oscar Hammerstein II created some of the most enduring musical theatre scores of the twentieth century. Their partnership, which began with Oklahoma! in 1943, fundamentally changed how composers and lyricists approached storytelling on stage, blending sophisticated harmonic writing with lyrics that deepened character and plot.

Their influence on music education runs deep. Teachers choose their melodies because they sit perfectly in young voices, their harmonies teach voice leading naturally, and their songs remain culturally relevant across generations. From The Sound of Music to South Pacific, their catalog has trained countless singers in legit vocal production, phrasing, and the marriage of music to narrative.

Why we love this

Mac Huff has crafted a medley that moves seamlessly through some of Broadway's most beloved moments without feeling scattered or exhausting. The 2-part voicing opens this material to younger or developing choirs while preserving the harmonic sophistication that made these songs classics. You get the prestige of the Rodgers and Hammerstein legacy and the practical accessibility your singers need.

What to expect

Stepping into this medley feels like a Broadway matinee condensed to its emotional highlights. You move through joy, longing, romance, and resolution without leaving the stage; the arrangement carries you forward with intelligence and care. There's a generosity in these melodies that makes singers want to sing beautifully.

Who it's for

This medley works for choirs at the middle school through early high school level, especially those ready to tackle Broadway material with some harmonic depth. It's ideal for singers who've built basic two-part independence and can maintain their line while listening to others. Smaller ensembles and larger concert choirs both benefit from its flexible length and familiar appeal.

How to get the most out of it

  • Spend time on the lyrical connection between songs. These aren't just melodies strung together; each one carries emotional weight. Your singers will feel the difference when they understand what each song means within its original context.
  • Balance blend in the unison passages. With only two parts, every voice carries the tune at some point. Encourage singers to listen across sections rather than just to their own line.
  • Let the arrangement breathe during key changes and modulations. Huff has built these moments to feel fresh. Resist the urge to push through; the orchestration (if you're using it) will support you.

How to use it

This works beautifully as a concert closer or a show-stealing spot in a spring pops concert where you want something with real theatrical presence. It also serves as a bridge between classical repertoire and musical theatre for choirs exploring diverse styles, and it's substantial enough (37 pages) to be a program anchor rather than filler.

Skills your students will build

  • Sustaining legit vocal production across a full medley
  • Tracking multiple modulations and key changes within a single piece
  • Blending in two-part textures while maintaining melodic independence
  • Phrasing decisions that honor both lyrical content and musical architecture
  • Managing the transition between contrasting tempos and moods

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