Rockin' Robin: Concert Band Conductor Score & Parts
By Jimmie Thomas / As performed by Bobby Day / As performed by Michael Jackson / Arranged by Eric Osterling
Grade: 2
Item: 35-PK00131868
$50.00
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Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Rockin' Robin - Conductor Score (Full Score) | $6.00 | |
| Rockin' Robin - Flute | $6.00 | |
| Rockin' Robin - Oboe | $6.00 | |
| Rockin' Robin - Bassoon | $6.00 | |
| Rockin' Robin - Bb Clarinet 1 | $6.00 | |
| Rockin' Robin - Bb Clarinet 2 | $6.00 | |
| Rockin' Robin - Bb Clarinet 3 | $6.00 | |
| Rockin' Robin - Eb Alto Clarinet | $6.00 | |
| Rockin' Robin - Bb Bass Clarinet | $6.00 | |
| Rockin' Robin - Eb Alto Saxophone 1 | $6.00 | |
| Rockin' Robin - Eb Alto Saxophone 2 | $6.00 | |
| Rockin' Robin - Bb Tenor Saxophone | $6.00 | |
| Rockin' Robin - Eb Baritone Saxophone | $6.00 | |
| Rockin' Robin - Bb Trumpet 1 | $6.00 | |
| Rockin' Robin - Bb Trumpet 2 | $6.00 | |
| Rockin' Robin - F Horn | $6.00 | |
| Rockin' Robin - Trombone | $6.00 | |
| Rockin' Robin - Baritone B.C. | $6.00 | |
| Rockin' Robin - Baritone T.C. | $6.00 | |
| Rockin' Robin - Tuba | $6.00 | |
| Rockin' Robin - Convertible Bass Line | $6.00 | |
| Rockin' Robin - Percussion 1 | $6.00 | |
| Rockin' Robin - Percussion 2 | $6.00 | |
| Rockin' Robin - Mallet Percussion | $6.00 | |
| Rockin' Robin - Timpani | $6.00 |
Parts Added to Cart!
Description
Originally recorded by Bobby Day in the 50's and then by Michael Jackson in the 70's, this up-tempo and energetic tune is always a favorite. Sure to be a crowd pleaser. Dur: 2:20
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Additional Details
Publisher:
Hal Leonard
SKU:
35-PK00131868
More about this title
About the Composer: Jimmie Thomas
Jimmie Thomas wrote "Rockin' Robin" during the early 1950s, capturing the playful energy and novelty spirit of rock and roll's formative years. His composition became a crossover hit that transcended genres, proving that a simple, catchy melody paired with infectious rhythm could resonate across generations and recording styles.
Why we love this
Eric Osterling's arrangement captures the tune's irrepressible bounce without overcomplicating it, making this an ideal selection for groups developing ensemble cohesion and rhythmic precision. The Grade 2 scoring keeps parts accessible while demanding genuine musicality from every section, and audiences consistently light up when they recognize the first few notes.
What to expect
Immediate, infectious joy. The arrangement bounces with the rollicking spirit of mid-century rock and roll, complete with that undeniable pull to tap your foot. There's a lightness and humor in the writing that reminds listeners why they fell in love with this tune in the first place.
Who it's for
Concert bands at the Grade 2 level who want an audience-tested showstopper that plays to their strengths without exposing weaknesses. It's equally valuable for younger ensembles building confidence and for experienced groups seeking a fun, high-energy break between more demanding repertoire.
How to get the most out of it
- Lock the eighth-note swing with your rhythm section first, then build outward to the full ensemble. The groove drives everything else.
- Resist the urge to drag the tempo during section tutti passages. This tune thrives on forward momentum and crisp articulation.
- Feature your melodic voices clearly without letting them overshadow the rhythmic foundation that makes the tune groove.
- Shape the dynamics to create peaks and valleys across the 2:20 duration so the energy doesn't plateau or fatigue the audience.
How to use it
Save this for a concert closer or a strategic moment when you need the audience back in their seats after intermission. It also works beautifully on a program that mixes classical or contemporary concert band standards, offering contrast and accessibility without sacrificing musicianship.
Skills your students will build
- Maintaining steady tempo in up-tempo rock grooves
- Eight-note swing feel and rhythmic precision
- Sectional balance and blend in ensemble textures
- Articulation clarity in energetic passages
- Responding to conductor shape and dynamic control