Rockin' Jerusalem: String Bass: Choral SoundPax
Based on an American Spiritual / arr. Donald Moore
Item: 00-PC-0014316_SB
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Description
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Rockin' Jerusalem: String Bass: Choral SoundPax comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
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About the Arranger: Donald Moore

Donald Moore studied organ performance at Kent State University and earned a Master of Arts in Teaching from the same institution. He has served as Organist-Choirmaster at Pilgrim United Church of Christ in Cuyahoga Falls, Ohio, and has published over 500 compositions across sacred, secular, educational, and pop choral works alongside organ and piano pieces and instructional books.
Moore's output spans multiple publishers including Alfred Music, Hal Leonard, Heritage Music Press, and others. His works regularly appear at state and national music festivals and conventions. He has received the ASCAP Composers Standard Award seventeen times and was recognized by the American Choral Directors Association as one of 400 significant composers in American choral music history.
Why we love this
Moore builds genuine grooves into choral writing without sacrificing accessibility. The layered hooks across voice parts make this energetic enough to engage singers without relying on unison melody, and the recorded accompaniment with sax, trumpet, trombone, and synth creates an authentic contemporary sound that elevates what your choir can achieve.
What to expect
A modern spiritual with an infectious pocket. The arrangement wraps sacred text in a funky, grooving landscape where softness frames the energy rather than fighting it. Hallelujahs punctuate the mix with syncopated joy, creating something that feels both reverent and undeniably alive.
Who it's for
Choirs in middle school through early high school that can handle syncopation and need an engaging sacred piece that doesn't sound like traditional spirituals. Directors seeking contemporary arrangements that honor the spiritual tradition while appealing to younger singers will find this accessible yet energetic enough to hold focus.
How to get the most out of it
- Lock the rhythm section's pocket first. The funky bass ostinato is the foundation; have your lower voices and accompaniment lock that feel before layering in the syncopated hallelujahs.
- Balance the dynamics thoughtfully at the soft opening and closing sections. The contrast lands harder when these moments aren't rushed, even though the groove never stops underneath.
- Let each voice part own its hook. Since the memorable lines are distributed across parts rather than concentrated in one voice, rehearse sectionally to ensure sopranos, altos, tenors, and basses each understand why their line matters to the whole.
- Use the recorded accompaniment to establish the groove early. This arrangement depends on that synth and horn energy to feel complete; your singers will trust the style faster when they rehearse against it.
How to use it
Place this as a secondary choral selection in spring concerts alongside more traditional sacred repertoire to show range and connect with contemporary audiences. The recorded accompaniment makes it a strong closer for youth choir segments or worship services where you want to leave listeners energized rather than subdued.
Skills your students will build
- Reading and performing syncopated rhythmic figures across multiple voice parts
- Maintaining rhythmic integrity within a steady groove while managing dynamic contrast
- Balancing individual melodic hooks with ensemble cohesion in a contemporary arrangement
- Singing sustained notes against active accompaniment parts and syncopated figures