Rockin' Holidays!: SAB Choral Octavo
When Santa Claus Gets Your Letter * A Holly Jolly Christmas * Rockin' Around the Christmas Tree
Words and music by Johnny Marks / arr. Alan Billingsley
Item: 00-PO-0005819
Minimum order quantity: 20 copies
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More about this title
About the Composer: Johnny Marks
Johnny Marks (1909-1985) composed some of the most enduring holiday standards of the twentieth century. His gift for memorable melody and his deep understanding of what makes a song singable established him as a master of seasonal repertoire that has remained in concert rotation for generations.
Why we love this
Alan Billingsley's arrangement taps directly into the infectious energy of mid-century pop, delivering three Marks classics in under three minutes without feeling rushed. The optional instrumental parts and recorded accompaniment make this accessible for groups with limited pit resources, yet the arrangement never sounds thin or synthetic.
What to expect
Bright, propulsive, and unapologetically fun. The arrangement captures that sun-soaked, radio-friendly optimism of 1950s and 1960s pop, complete with the instrumental colors that made those eras distinctive. It's the kind of piece that makes an audience tap their feet before the first verse ends.
Who it's for
This works for intermediate to advanced treble and mixed choirs who can handle the rhythmic energy and the quick shifts between three distinct songs. It's ideal for groups that want to program something recognizably festive without defaulting to a traditional carol.
How to get the most out of it
- Balance the three songs so each one lands distinctly; resist the urge to blur them together just because the medley moves fast.
- Lean into the rhythmic drive in the accompaniment. The groove is the engine here, so lock the SAB voices into the pulse rather than sitting behind it.
- If using the recorded accompaniment, rehearse with it from day one so singers internalize the tempo and phrasing without fighting the track.
- Keep the dynamic contrast sharp between sections. The arrangement thrives on contrast, so a quiet moment reads even quieter when you've been singing at full power.
How to use it
Use this as the centerpiece of a holiday concert's pop or contemporary segment, or as the high-energy closer to a first-half concert before intermission. Its brevity and infectious character make it an excellent palate cleanser between more substantial choral works.
Skills your students will build
- Rhythmic precision and syncopation in a pop idiom
- Maintaining energy and clarity while singing quickly
- Blending three distinct song forms and key areas
- Responding to recorded accompaniment and working with optional instrumental parts