Jill Gallina is a composer and arranger whose work for young musicians has earned recognition from the Parents Choice Foundation, American Library Service, and ASCAP. Her compositions have appeared on The Disney Channel, PBS, The Macy's Thanksgiving Day Parade, and performances by The New York Philharmonic and Boston Pops. Before focusing on composition full time, she taught elementary school music and holds a B.A. in music from the College of New Jersey.
Working alongside her husband Michael, Jill has created musical theater and choral works performed thousands of times annually across the globe. The Gallinas received the Stanley Austin Alumni Award from the College of New Jersey in recognition of their contributions to the field. Their arrangements and compositions are known for engaging young singers while maintaining musical integrity, and they continue to lead educator workshops internationally.
Why we love this
Gallina's arrangement captures the infectious energy of this holiday favorite while keeping the vocal writing accessible for developing singers. The 3-part mixed voicing balances singability with harmonic interest, making it work equally well for smaller choirs and larger ensembles. You'll find this does the heavy lifting as a crowd-pleaser that still feels musically substantial in concert.
What to expect
Upbeat and festive, with the swagger of a rock arrangement applied to a beloved standard. The three-part writing creates harmonic depth while keeping the piece moving with rhythmic drive and infectious charm.
Who it's for
Middle and high school choirs looking for a holiday selection with contemporary appeal and straightforward vocal demands. Directors seeking a piece that engages both singers and audiences without requiring extensive rehearsal time will find this particularly useful.
How to get the most out of it
Anchor the rhythm section early by establishing the groove of the accompaniment before full ensemble rehearsals begin.
Shape the dynamic arc across phrases rather than singing at one volume throughout; the rock character invites some natural swell and release.
Layer in harmonies incrementally during rehearsal so singers hear their parts clearly before balancing all three voices.
Keep the energy consistent in repeats; resist the tendency to drag or pull back as singers become familiar with the material.
How to use it
Slot this into winter concerts as a bridge between traditional holiday fare and contemporary repertoire, or pair it with other rock-influenced arrangements for a thematic set. It works equally well as an opener to energize the audience or a closer that leaves listeners smiling.
Skills your students will build
Singing in rock and contemporary styles
Part independence in three-part mixed voicing
Rhythmic precision in syncopated arrangements
Balancing harmony parts with the melody line
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