Rockin' Around The Christmas Tree (arr. Jill Gallina): 3-Part Mixed Choral Octavo

Gallina's arrangement captures the infectious energy of this holiday favorite while keeping the vocal writing accessible for developing singers. The 3-part mixed voicing balances singability with harmonic interest, making it work equally well for smaller choirs and larger ensembles. You'll find this does the heavy lifting as a crowd-pleaser that still feels musically substantial in concert.

Upbeat and festive, with the swagger of a rock arrangement applied to a beloved standard. The three-part writing creates harmonic depth while keeping the piece moving with rhythmic drive and infectious charm.

Middle and high school choirs looking for a holiday selection with contemporary appeal and straightforward vocal demands. Directors seeking a piece that engages both singers and audiences without requiring extensive rehearsal time will find this particularly useful.

• Anchor the rhythm section early by establishing the groove of the accompaniment before full ensemble rehearsals begin.
• Shape the dynamic arc across phrases rather than singing at one volume throughout; the rock character invites some natural swell and release.
• Layer in harmonies incrementally during rehearsal so singers hear their parts clearly before balancing all three voices.
• Keep the energy consistent in repeats; resist the tendency to drag or pull back as singers become familiar with the material.

Slot this into winter concerts as a bridge between traditional holiday fare and contemporary repertoire, or pair it with other rock-influenced arrangements for a thematic set. It works equally well as an opener to energize the audience or a closer that leaves listeners smiling.

• Singing in rock and contemporary styles
• Part independence in three-part mixed voicing
• Rhythmic precision in syncopated arrangements
• Balancing harmony parts with the melody line