Rock This Town (arr. Kirby Shaw) Sheet Music Preview

Rock This Town (arr. Kirby Shaw): SATB Choral Octavo

As performed by Stray Cats / Arranged by Kirby Shaw

Item: 35-DS01306392

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Additional Details
Publisher: Hal Leonard
Page Count: 10
SKU: 35-DS01306392

More about this title

About the Artist: Stray Cats

The Stray Cats emerged from the New York rockabilly revival in the late 1970s, bringing slap bass, twangy guitar, and infectious energy back to a sound that had been dormant for decades. Their stripped down instrumentation and swagger made them unlikely crossover stars in the early 1980s, proving that raw musicianship and charisma could cut through the synth-heavy production of the era.

For choral arrangers, the Stray Cats represent a goldmine of rhythmically propulsive material with real melodic hooks. Songs like 'Rock This Town' showcase the kind of infectious groove that translates surprisingly well to vocal arranging, giving singers concrete rhythmic and stylistic challenges that feel contemporary even decades later.

Why we love this

Kirby Shaw knows how to unlock the swagger in a rock tune without sacrificing voicing integrity. This arrangement captures the driving momentum of the original while giving each voice part something genuine to sing, creating the kind of energy that makes students actually want to rehearse.

What to expect

Kinetic and loose without losing precision. The arrangement captures that classic rockabilly sneer—a little mischievous, rhythmically tight, with enough harmonic color to keep it interesting across multiple verses. You feel the three chord structure but hear it with sophistication.

Who it's for

Choirs looking for secular repertoire with genuine crossover appeal: advanced high school groups, college choirs seeking contemporary material, and community ensembles wanting to program something that connects with current and former students alike. This works especially well for groups with confident rhythm section singers who can drive the groove.

How to get the most out of it

  • Anchor the groove in the rhythm section first. Get your basses and tenors locking together on the foundational pulse before layering in the upper voices; everything locks tighter once the low end commits.
  • Emphasize the articulation marked throughout. Clean consonants and deliberate rhythmic precision transform this from casual pop singing into something that feels professionally executed.
  • Lean into the swagger without overselling it. The attitude comes from rhythmic accuracy and harmonic clarity, not from forced growling or exaggerated attitude.
  • Record a practice track if you don't use the accompaniment. Isolate just the drum part and bass line so singers develop independence from the full arrangement.

How to use it

Consider pairing this with other classic rock or pop arrangements to create a themed concert segment that showcases your choir's range. It also works well as a crowd energizer near the end of a concert, where the group's comfort level and the audience's mood are both at their peak.

Skills your students will build

  • Rhythmic precision in rock and pop idioms
  • Clarity of articulation in driving grooves
  • Maintaining independence within a homophonic texture
  • Syncopated rhythm reading in SATB voicing
  • Stylistic authenticity in secular contemporary music

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