Rock This Town Sheet Music Preview

Rock This Town: SATB Choral Octavo

By Brian Setzer / As performed by Stray Cats / Arranged by Kirby Shaw

Item: 35-DS00138655

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Additional Details
Publisher: Hal Leonard
Page Count: 10
SKU: 35-DS00138655

More about this title

About the Composer: Brian Setzer

Brian Setzer brought rockabilly back from the dead in 1979 when he formed the Stray Cats with upright bassist Lee Rocker and drummer Slim Jim Phantom. The band's stripped-down energy and 1950s-inspired sound became the soundtrack for a generation discovering that rock and roll didn't need to be complicated to be irresistible. Setzer's restless musicianship has since taken him across genres, from orchestral swing to solo guitar work, but his gift for infectious, danceable grooves remains his calling card.

For choral directors, Setzer represents something vital: a songwriter who understands that a great hook, tight rhythm, and genuine fun are non-negotiable. His compositions translate directly to the concert stage without sacrificing either accessibility or attitude.

Why we love this

Kirby Shaw's arrangement captures everything that made the original a singalong juggernaut while building in the kind of rhythmic precision and harmonic interest that keeps singers engaged across multiple run-throughs. The driving energy never lets up, but there's real musicality in how the parts lock together. This is the rare pop arrangement that works equally well in a spring concert or a pep rally context without feeling like a compromise.

What to expect

Pure kinetic energy from the opening moment. The arrangement swings with the kind of propulsive drive that makes audiences tap their feet involuntarily, anchored by a melody that buries itself in your head. It's upbeat without being corny, fun without being frivolous.

Who it's for

Choirs looking to program something with immediate appeal and genuine musicality. This works for groups with solid intonation and rhythmic confidence who want to reach audiences beyond traditional concert repertoire.

How to get the most out of it

  • Lock the rhythm section first. Bass and drums need to sit so tight that the harmonic parts can float on top of them. Even though this is a choral arrangement, the groove is the foundation.
  • Encourage soloists or section leaders to lean into the attitude of the original recording. The text and melody want sass; bland delivery drains the life out of this piece.
  • Balance the melody against the rhythmic accompaniment in your mix. Audiences remember vocal hooks, but they feel the percussion and bass line. Both deserve attention in rehearsal.

How to use it

Pair this as a contrasting opener or closer to a program that mixes classical and contemporary work. The audience connection happens instantly, which makes it valuable for building momentum at the start of a concert or leaving people energized on their way out.

Skills your students will build

  • Rhythmic precision in a groove-based context
  • Balancing solo melody with supporting harmonic parts
  • Singing with stylistic authenticity in popular music
  • Locked ensemble entrances and transitions
  • Sustaining energy and pitch over driving rhythmic accompaniment

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