Rock the Halls (Based on "Deck the Halls"): (wp) B-flat Baritone B.C.
Arr. Robert W. Smith and Michael Story
Grade: 1 (Very Easy)
Item: 00-PC-0000859_wpBBBC
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Description
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Rock the Halls (Based on "Deck the Halls"): (wp) B-flat Baritone B.C. comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
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About the Arranger: Robert W. Smith

Robert W. Smith ranks among America's most recorded composers for concert band and orchestra, with over 400 published works spanning original compositions, arrangements, and educational pieces. He holds degrees in music education from Troy State University and a master's degree from the University of Miami. His symphonic works, including The Divine Comedy and The Odyssey, have earned international recognition across North America, Europe, Australia, and Asia.
Beyond the concert hall, Smith's music has reached audiences through major television broadcasts, Olympic ceremonies, and high-profile cultural events including the Macy's Thanksgiving Day Parade and Opening Day at Dodger Stadium. His arrangements and compositions for developing ensembles have become foundational repertoire in band programs worldwide. As a conductor and clinician, he continues to work with musicians across the United States and internationally.
Why we love this
Smith and Story have crafted an arrangement that honors the melody's whimsical character while injecting contemporary energy that first-year students actually want to play. The rock groove sits comfortably within Grade 1 ability levels, meaning your ensemble sounds polished and confident without wrestling through technical obstacles. This is the kind of holiday programming choice that delights both musicians and audiences, striking the rare balance between accessibility and genuine musicality.
What to expect
A playful collision of familiar carol melody with modern rock energy, complete with the kind of groove that makes audiences want to move along. The arrangement sparkles with whimsy while maintaining the tune's recognizable charm, creating a performance experience that feels fresh without losing connection to the song people already know and love.
Who it's for
First-year concert band students who thrive on music that feels contemporary and engaging rather than purely traditional. Directors seeking a holiday concert opener that generates genuine enthusiasm from musicians while remaining technically accessible and musically rewarding.
How to get the most out of it
- Establish the rock groove early in rehearsal by tapping the backbeat with your baton; invite the ensemble to feel the pulse in their bodies before sight-reading, and the rhythmic placement will lock in faster.
- Shape the melody line with clear phrasing even though it's familiar to listeners; avoid letting familiarity breed indifference by conducting the arch of each phrase with intention.
- Let the energy breathe during the lighthearted sections rather than rushing; Grade 1 players sometimes confuse "fun" with "fast," so model the tempo and character you want through your conducting.
- Encourage the audience clapping moment as part of the performance, not an interruption; brief your ensemble that ensemble response from the room is part of the arrangement's design.
How to use it
Launch your first holiday concert with this piece as an energetic opener that sets a celebratory tone and immediately establishes that your band program values music-making that's both engaging and skillfully arranged. The rock sensibility and audience participation moment also pair well with more traditional selections later in the program, creating a dynamic concert arc.
Skills your students will build
- Playing in a contemporary rock/groove style with steady backbeat awareness
- Maintaining melodic continuity when familiar tunes are arranged in unfamiliar harmonic contexts
- Responding to audience interaction and adjusting energy and focus during a performance moment
- Executing Grade 1 instrumentation with ensemble cohesion across mixed ability levels