Rock the Boat: TTBB Choral Octavo
Words and music by Wally Holmes / arr. Greg Gilpin
Item: 00-PO-0008045
Minimum order quantity: 20 copies
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More about this title
Why we love this
Greg Gilpin's arrangement captures the infectious energy of the original without sacrificing ensemble cohesion. The voicing flexibility (TB/TTB/TBB/TTBB) means you can perform it whether your men's section is full or you're short on tenors. Your singers will actually want to rehearse this one.
What to expect
Infectious funk-inflected groove that swings without losing its 1970s soul. The arrangement captures that sun-soaked, laid-back confidence of the original while staying completely singable for a choral ensemble.
Who it's for
Men's choirs looking for contemporary repertoire with real personality, or mixed ensembles needing a high-energy piece that engages male singers. Works equally well for groups developing stronger rock and pop performance skills.
How to get the most out of it
- Commit fully to the rhythmic drive of the groove. The arrangement depends on a locked backbeat, so lock your singers' sense of pulse before layering any other details.
- Use the recorded accompaniment strategically during early rehearsals to help your men internalize the harmonic movement, then gradually rehearse live to build independence.
- Shape the dynamics to mirror the original recording's energy arcs. This isn't a straight-line volume; let sections breathe and build naturally into the bigger moments.
- Articulation matters here. Clean consonants on rock rhythms cut through; work with your singers on tight, speech-like diction especially on syncopated figures.
How to use it
Perfect as a set-closing moment or midsection energizer on a spring concert, especially when paired with other secular pop arrangements. The retro energy makes it ideal for programs celebrating different decades or styles in American popular music.
Skills your students will build
- Rhythmic precision in syncopated figures and backbeat-driven phrases
- Singing with stylistic authenticity in pop and rock idioms
- Voicing flexibility across TTBB/TTB/TBB/TB configurations
- Call and response phrasing and rhythmic independence between voice parts
- Groove-centered interpretation rather than purely legit choral singing