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Rock Soloing Strategies for Guitar: Guitar Book & CD

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Rock Soloing Strategies for Guitar Cover Image

Rock Soloing Strategies for Guitar: Guitar Book & CD

Concepts for Various Rock Styles

By Glenn Riley

Item: 00-37769

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Description
Rock Soloing Strategies for Guitar is a study of essential and innovative approaches to rock improvisation. With over 20 lead guitar solos in the styles of legendary players from the 1960s to the present, it covers a variety of sub-genres, including hard rock, Southern rock, heavy metal, and contemporary progressive rock. A complete analysis of each solo is included to break down relevant chord progressions, scales, techniques, structure, and other key elements. This book takes an intelligent and thorough approach that sheds new light on rock guitar soloing and provides you with fresh strategies to apply to your own playing. A CD demonstrating all the examples in the book and for playing along is included.

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Sample Pages

Sample Audio
1 And Then There Were Two --:--
2 Mixo-ing It Up --:--

And Then There Were Two

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Additional Details
Series: The Improv Series
Publisher: Alfred Music
Page Count: 96
ISBN10: 0-7390-8254-X
ISBN13: 978-0-7390-8254-6
UPC: 038081422947
SKU: 00-37769

More about this title

Why we love this

Riley's analytical method makes improvisational thinking visible. By dissecting solos from landmark players across five decades, this book reveals the patterns and decision-making processes behind compelling rock lead work, giving guitarists concrete strategies rather than abstract concepts.

What to expect

Studying these solos feels like sitting in a masterclass with each transcribed player. You encounter the raw energy of classic rock leads alongside the technical sophistication of modern progressive approaches, gaining insight into how different eras and styles shaped contemporary rock guitar vocabulary.

Who it's for

Intermediate to advanced rock guitarists ready to move beyond basic pentatonic soloing and understand how accomplished players construct compelling improvisations. This is ideal for self-directed learners and studio musicians seeking to expand their stylistic vocabulary across multiple rock sub-genres.

How to get the most out of it

  • Study the chord progressions underneath each transcribed solo before attempting to play along. Understanding the harmonic landscape reveals why particular scale choices and phrasing work in each section.
  • Use the included CD to listen multiple times before reading the analysis. Train your ear to recognize the techniques and approaches first, then deepen that listening with the written breakdown.
  • Work through the solos methodically by sub-genre. Master the pentatonic-based approaches in hard rock contexts before moving into the modal and scalar complexity of progressive rock examples.
  • Practice bending, vibrato, and articulation separately from the solo passages. The techniques matter as much as the notes; isolate them until they feel natural within your own phrasing.

How to use it

Assign sections of this book to intermediate students preparing for auditions or recitals where improvisation is expected. Advanced ensemble members can draw from these examples when creating original solos over rhythm section changes in jam settings or contemporary compositions.

Skills your students will build

  • Analyzing chord-scale relationships within rock contexts
  • Recognizing and executing signature techniques (bending, vibrato, string skipping, hybrid picking)
  • Structuring solos with call-and-response, space, and phrasing rather than continuous notes
  • Transposing learned phrases across different keys and positions on the fretboard
  • Understanding stylistic differences across hard rock, Southern rock, heavy metal, and progressive rock idioms

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