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Rock Philharmonic: Cello & Bass Book & CD

$16.99 USD
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Rock Philharmonic Cover Image

Rock Philharmonic: Cello & Bass Book & CD

Classic Rock Songs for the String Orchestra

Arr. Bob Phillips and Daryl Silberman

Item: 00-40740

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Description
This collection of nine "classic" Rock tunes spans five decades of rock history. The arrangements in Rock Philharmonic contain complete versions and lead sheets of original hit songs by top groups and artists: Jerry Lee Lewis, Bobby Day, Sonny and Cher, The Rolling Stones, The Eagles, Journey, and Green Day. Each piece includes a flexible arrangement that allows the melody, harmony, and bass parts to be played by all sections in the string orchestra, like or mixed instrument groups, quartets, or trios---allowing players to learn the component parts of rock and roll, play the classic arrangement, create their own arrangements, or perform the tunes solo. In addition to string orchestra, the arrangements are also set for electric strings with optional guitar/electric guitar, piano, and drumset.

The student book contains a full-length, two-page play thru version of the melody, which follows closely the original recording and includes clearly labeled Intro, Verse, Chorus, Bridge, and Outro sections. The bass and harmony component parts are then presented in a lead sheet format, along with a flow chart that matches the order of the Melody Line Play Thru. The teacher's book contains a full score and reproducible piano and percussion parts. Guitar chords appear in all parts. For easy practice, the accompanying CD has two tracks for each piece---a complete track and a backing track---and TNT 2 software to mix the level of each instrument, change pitch, change tempo, and create loops. The CD can also serve as an aid to learning by ear.

Titles: Great Balls of Fire * Rockin' Robin * I Got You Babe * (I Can't Get No) Satisfaction * Hotel California * Any Way You Want It * Don't Stop Believin' * Boulevard of Broken Dreams * You Can't Always Get What You Want.

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Additional Details
Series: Philharmonic Series
Publisher: Alfred Music
Page Count: 40
ISBN10: 1-4706-3406-6
ISBN13: 978-1-4706-3406-3
UPC: 038081520612
SKU: 00-40740
Instrumentation: Cello & Bass

More about this title

About the Arranger: Bob Phillips

Bob Phillips

Bob Phillips stands among the most prolific voices in string education, having shaped how teachers approach eclectic repertoire across four decades. Since 1953, he has authored more than 25 instructional series and composed over 200 works for orchestras and bands, earning ASCAP recognition and regular performances at the Midwest Clinic. His teaching philosophy centers on large ensemble pedagogy and stylistic diversity, principles he refined over 27 years directing a 700-student string program in Saline, Michigan that became a national model.

Beyond the classroom, Phillips founded and directed the Saline Fiddlers Philharmonic, an internationally recognized folk ensemble that performed more than 80 shows annually and appeared multiple times at the White House. His ground-breaking eclectic series including Jazz Philharmonic, Latin Philharmonic, Mariachi Philharmonic, and Rock Philharmonic have introduced thousands of string students to stylistic range and arranging flexibility. He has conducted honors orchestras and all-state ensembles across the country and served as resident conductor and arranger for the Wintergrass Festival in Seattle for 12 years.

Why we love this

These arrangements honor the melodic and harmonic DNA of genuine rock hits while giving bass and cello players agency to explore their role in the groove. The flexible instrumentation means you can program this with your full string section, a chamber ensemble, or as a standalone feature, and the included backing tracks with tempo and pitch adjustment let students rehearse independently with professional sound. Rock Philharmonic teaches string players how songs actually work in popular styles—intro, verse, chorus, bridge—rather than abstractly, making the structural lessons stick.

What to expect

These arrangements bring the energy of classic rock directly into the rehearsal space: the infectious hook of Bobby Day's 'Rock and Roll All Nite and Day,' the swagger of the Rolling Stones, the dramatic lift of Journey. The cello and bass lines sit in the pocket alongside string harmonies that honor the original recordings while staying playable for young musicians.

Who it's for

String students from intermediate through advanced levels who are ready to play beyond classical repertoire and discover how their instruments function in rock and pop contexts. Directors looking to program accessible, ear-catching material that engages students and audiences alike while building genuine musicianship through stylistic variety.

How to get the most out of it

  • Isolate the bass part before adding melody and harmony. Rock arrangements live or die on pocket, and having your bass players lock the groove first gives everyone a rhythmic anchor.
  • Use the backing track in rehearsal to help students hear where their part sits in the full arrangement. The TNT 2 software lets you mute instruments selectively, so spotlight the cello line one rehearsal and the bass the next.
  • Work through the lead sheet notation alongside the full play-thru version. Students learn that the same song can be read and performed multiple ways, a portable skill for any ensemble.
  • Slow the tempo down in early rehearsals using the software, then gradually bring it back to the recorded speed. This builds technical confidence without sacrificing the authentic rock feel.

How to use it

Open a winter or spring concert with one of the higher-profile tracks to immediately capture audience attention and signal that string music spans far beyond the Baroque. Alternatively, build a thematic program around a single Rock Philharmonic piece with classical and contemporary works that complement its energy. The lead sheet format also makes these ideal for chamber performance or small ensemble rotation, where students can volunteer to arrange or perform a track independently.

Skills your students will build

  • Reading and performing lead sheet notation alongside traditional staff notation
  • Understanding song form through labeled sections (Intro, Verse, Chorus, Bridge, Outro)
  • Playing in rhythmic pocket and maintaining groove across multiple rehearsal tempos
  • Adapting melodic and harmonic roles across different instrumentations and ensemble sizes
  • Hearing the bass as a rhythmic and harmonic anchor rather than accompaniment
  • Recognizing how arrangement serves the original song while remaining playable for ensemble

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