Rock, Paper, Scissors: 2-Part Choral Octavo
Words and music by Mark Burrows and Andy Beck
Item: 00-PO-0005714
Minimum order quantity: 20 copies
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Description
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About the Composer: Mark Burrows

Mark Burrows combines his training in music education from Southern Methodist University and conducting from Texas Christian University with deep experience writing for young singers. His compositions appear regularly on state and festival lists, and he commissions new work annually from children's choirs, adult ensembles, and intergenerational festival groups across the country.
Based in Fort Worth, Texas, Burrows brings his work in children's music ministry directly into his compositional practice. His background in education informs his gift for creating pieces that are musically engaging without sacrificing pedagogical value.
Why we love this
This piece transforms a concept kids already understand into genuine musical learning. The ostinato section builds independence and confidence in younger singers by letting them discover they can sustain their own lines while others sing different material, and the rock 'n' roll energy keeps everyone invested from start to finish.
What to expect
A playful, energetic piece with a contemporary rock sensibility that feels current and fun rather than condescending. The ostinato section creates a sense of achievement and excitement as young singers discover they can sustain independent parts while the song builds around them.
Who it's for
This octavo works perfectly for elementary and middle school choirs, children's church choirs, and community youth ensembles. The 2-part voicing and accessible rock 'n' roll style make it ideal for younger singers who are still building confidence with independent lines.
How to get the most out of it
- Introduce the ostinato patterns separately before combining them so singers develop security in their individual lines before layering.
- Use the recorded accompaniment as a rehearsal tool to lock in rhythmic precision, especially during the rock 'n' roll sections.
- Refer to the staging suggestions on Alfred's Movin' DVD to add movement that reinforces the piece's message about cooperation and will deepen your singers' connection to the text.
- Balance the two voice parts carefully during full ensemble passages so the melody remains clear even as the ostinato builds texture.
How to use it
Program this as a concert opener or closer to grab immediate attention and set a bright, engaging tone. It pairs well alongside other contemporary secular pieces in family concerts or spring shows where energy and accessibility matter as much as sophistication.
Skills your students will build
- Sustaining independent vocal lines in ensemble settings
- Rhythmic precision in rock 'n' roll style and syncopation
- Layering and balancing multiple vocal parts simultaneously
- Understanding partner songs and ostinato construction
- Performing with movement and staging intent