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Rock-a My Soul: String Orchestra Conductor Score & Parts

$40.00 USD
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Rock-a My Soul Cover Image

Rock-a My Soul: String Orchestra Conductor Score & Parts

Arranged by Stephen Bulla

Grade: 1.5

Item: 98-ST6045

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Description
Stephen Bulla, arranger for the White House Orchestra, has set this spiritual in a swing style. This delightful crowd pleaser will help teach basic swing concepts to your beginning orchestra members.

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Additional Details
Series: FJH Beginning Strings
Publisher: The FJH Music Company, Inc.
UPC: 674398212750
SKU: 98-ST6045

More about this title

About the Arranger: Stephen Bulla

Stephen Bulla has built a career as one of the most prolific and trusted arrangers in music education, with hundreds of compositions and arrangements published across all levels and ensembles. His work for the White House Orchestra demonstrates his mastery of orchestral writing and his ability to adapt repertoire for formal settings, skills he brings directly to his educational publications.

Why we love this

Bulla takes a spiritual that students know and delivers genuine swing rhythms without overcomplicating the parts. Beginning orchestras rarely get to tackle swing in a way that feels authentic yet playable, and this arrangement bridges that gap while keeping the soul of the original intact.

What to expect

The arrangement swings with an easy confidence, pairing the familiar warmth of the spiritual melody with walking rhythms and syncopation that feel inviting rather than intimidating. There's joy in the swing groove, and students catch that energy immediately.

Who it's for

This works beautifully for beginning string orchestras encountering jazz and swing idioms for the first time. If your group is ready to move past classical phrasing but still needs parts that sit comfortably under their fingers, this is an excellent teaching tool.

How to get the most out of it

  • Lock in the swing eighth-note feel from the first rehearsal. Model the rhythm with your conducting pattern; half-swung eighths are the difference between this sounding fresh and sounding straight.
  • Let the beginning players hear a recorded example of swing phrasing. Hearing how the melody sits slightly behind the beat gives them a target to aim for beyond what notation can show.
  • Balance the ensemble so the melody comes through clearly. With a light arrangement like this, overzealous inner voices will bury the tune.
  • Keep the tempo relaxed and groove-oriented rather than metronomic. Swing style thrives when players feel the pocket rather than counting precisely.

How to use it

This pairs well on a concert that mixes spirituals with lighter contemporary works, or use it as a standalone opener for a family concert where accessibility matters. It also works as a bridge unit in your curriculum when introducing jazz vocabulary and listening concepts.

Skills your students will build

  • Recognizing and performing swing eighth-note subdivision
  • Understanding syncopated rhythm patterns in an accessible idiom
  • Phrasing and articulation choices specific to swing style
  • Listening for and balancing melody against accompanying figures

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