Rock-a My Soul: Choral Instrumental Pak
Arranged by Kirby Shaw
Item: 35-PK00432394
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| Product | Price | Quantity |
|---|---|---|
| Rock-a My Soul - Guitar: Choral Instrumental Pak | $7.00 | |
| Rock-a My Soul - Bass: Choral Instrumental Pak | $7.00 | |
| Rock-a My Soul - Drums: Choral Instrumental Pak | $7.00 |
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About the Arranger: Kirby Shaw

Kirby Shaw is recognized internationally as a choral educator and composer whose work spans over 2,500 published arrangements. He holds degrees in Music Education and Choral Composition from San Jose State University and completed his DMA in Choral Conducting at the University of Washington. His influence extends across North America, Europe, and Australia, where he has led clinics and workshops while building innovative vocal jazz programs at institutions including Colorado State University and the University of Missouri at Kansas City.
Shaw's creative output has generated nearly 20 million copies in sales and earned multiple ASCAP awards. Beyond his prolific arranging practice, he has worked one-on-one with jazz vocalists including Bobby McFerrin, Al Jarreau, and Jon Hendricks. Currently directing the Jefferson State Choral Coalition at Southern Oregon University, Shaw brings to every project a distinctive blend of musical sophistication and infectious teaching energy.
Why we love this
Shaw's arrangements have the rare quality of feeling both contemporary and respectful to their source material. This treatment keeps the spiritual's emotional core intact while injecting the kind of rhythmic vitality and modern harmonic color that will genuinely excite singers to rehearse it. The built-in solo opportunities mean you're not forced into a generic unison moment but can instead highlight the distinctive voices in your ensemble.
What to expect
The arrangement carries the warmth and resilience of the spiritual tradition while breathing with modern harmonic sophistication. It feels alive and rhythmically propulsive, the kind of piece that builds genuine ensemble joy during rehearsal and translates into authentic performance energy.
Who it's for
Women's choirs looking for material that connects to spiritual and folk traditions while offering contemporary energy and singability. Directors who want to program spirituals without relying on standard arrangements, and who have soloists worthy of a spotlight moment.
How to get the most out of it
- Establish the groove early in rehearsal. The rhythmic pocket matters more than perfect pitch accuracy in the opening phrase, so lock that feel first and let the intonation settle around it.
- Give your soloists permission to phrase conversationally. This arrangement thrives on lyrical flexibility rather than metronomic precision in the featured sections.
- Balance the instrumental sounds with vocal blend. If you're using the accompaniment tracks, resist the urge to match volume with the backing; your singers should float slightly above the texture.
- Mark the dynamic shifts clearly in score study. Shaw's voicing creates natural entry points for crescendos, but they read subtly on the page.
How to use it
Position this as a centerpiece on a concert that explores American vocal traditions, or pair it with other spirituals to create a thematic set that moves from reverent to celebratory. It works equally well as an opener that energizes an audience or as a second-half reprieve that shifts the mood from heavier classical work.
Skills your students will build
- Stylistic interpretation of African American spiritual tradition
- Rhythmic precision in syncopated accompaniment figures
- Solo performance within ensemble context
- Harmonic listening and blend adjustment with contemporary voicings