Rock-A-My Soul Sheet Music Preview

Rock-A-My Soul: SSA Choral Octavo

Arranged by Kirby Shaw

Item: 35-DS00432393

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Additional Details
Publisher: Hal Leonard
Page Count: 10
SKU: 35-DS00432393

More about this title

About the Arranger: Kirby Shaw

Kirby Shaw

Kirby Shaw's influence on choral music spans five decades and six continents. A composer and arranger with over 2,500 works in print, Shaw holds degrees in Music Education and Choral Composition from San Jose State University and a DMA in Choral Conducting from the University of Washington. His arrangements have sold nearly 20 million copies worldwide and earned multiple ASCAP awards. He has taught at College of the Siskiyous, Colorado State University, University of Missouri at Kansas City, and Southern Oregon University, where he directs the Jefferson State Choral Coalition.

Shaw's teaching philosophy combines deep musical knowledge with infectious humor and accessibility. He has mentored jazz vocalists one-on-one with legends including Bobby McFerrin, Mark Murphy, and Jon Hendricks. Beyond choral writing, he oversees the a cappella group Just 4 Kicks and has co-authored an original musical adaptation of A Christmas Carol with his wife, Markita. His prolific output reflects a commitment to creating music that serves both the classroom and the concert stage.

Why we love this

Shaw's arrangement strips this spiritual down to its emotional core while keeping the writing singable for younger or less experienced singers. The SSA voicing avoids the weight of lower parts without sacrificing harmonic interest, and Shaw's characteristic rhythmic drive pulls singers into the piece's infectious energy from the first measure.

What to expect

Deeply grounded and joyful, this version of the spiritual radiates quiet confidence. The SSA voicing creates intimacy while the rhythmic drive keeps the piece moving forward with purpose and warmth.

Who it's for

This arrangement fits secondary choral programs seeking repertoire that honors the spiritual tradition while remaining accessible to developing singers. It works equally well for community choirs and festival choirs looking to add spiritual authenticity to their programming.

How to get the most out of it

  • Lock in the rhythmic foundation early in rehearsal. Shaw's syncopation gives the piece its character, but it requires precision from all three parts singing together.
  • Encourage legato phrasing through the sustained moments to balance the rhythmic punch elsewhere. The contrast between movement and stillness brings out the spiritual's depth.
  • Bring out the text clearly in sections where parts overlap. Articulation choices here determine whether the arrangement feels cohesive or cluttered.
  • Let your soloists breathe authentically on the traditional melody. Shaw's accompaniment is supportive enough to allow genuine interpretive freedom.

How to use it

Pair this with other spirituals of varying complexity to build a thematic concert section, or use it as a lighter moment between more demanding pieces. Its moderate length and accessible technical demands make it ideal for mid-season concerts when singers need a piece that energizes without exhausting them.

Skills your students will build

  • Rhythmic precision in syncopated patterns
  • Balancing independent voice lines while maintaining ensemble blend
  • Interpretation of spiritual traditions and cultural context
  • Sustaining legato phrasing while managing dynamic contrast

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