Robin Hood and Little John: String Orchestra Conductor Score & Parts
Cornish May Dance / arr. Sandra Dackow
Grade: 1
Item: 00-PK-0005690
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Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Robin Hood and Little John: Score | $8.00 | |
| Robin Hood and Little John: 1st Violin | $5.99 | |
| Robin Hood and Little John: 2nd Violin | $5.99 | |
| Robin Hood and Little John: Viola | $5.99 | |
| Robin Hood and Little John: Cello | $5.99 | |
| Robin Hood and Little John: String Bass | $5.99 | |
| Robin Hood and Little John: Piano Accompaniment | $5.99 |
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Description
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More about this title
About the Arranger: Sandra Dackow
Sandra Dackow is an accomplished arranger whose work appears regularly in educational string orchestra repertoire. Her arrangements are known for balancing accessibility with genuine musical interest, making them ideal for developing ensembles that need parts written with care for every section.
Why we love this
Dackow has crafted an arrangement that gives every player something to do without overwhelming a Grade 1 ensemble. The folk melody carries forward naturally through the sections, and the energy of the dance comes through without requiring advanced technique or complex rhythmic coordination.
What to expect
Spirited and straightforward, with the charm of a traditional dance. The arrangement captures the playful energy of the Robin Hood legend without pretension, delivering a piece that feels satisfying to perform and engaging to listen to.
Who it's for
This arrangement works for string orchestras in their first or second year of study. Every section receives meaningful material, making it an ideal choice when you need a piece that engages all players while keeping technical demands realistic.
How to get the most out of it
- Establish a steady tempo that lets the dance character breathe; resist the urge to rush through the lively sections, which will help intonation stay centered.
- Balance the melody across sections by rehearsing which instruments carry it at each phrase; this prevents any one section from dominating and keeps the arrangement transparent.
- Attend to rhythmic clarity in the supporting parts; even at Grade 1, clean articulation in the accompaniment figure will make the tune pop.
How to use it
Program this as an opener or closer to bring infectious energy to a concert. It pairs well with contrasting repertoire and works equally well in festival or contest settings where its Grade 1 accessibility and clear orchestration appeal to adjudicators and audiences alike.
Skills your students will build
- Playing sustained accompaniment figures while others carry melody
- Maintaining steady tempo through repeated rhythmic patterns
- Balancing dynamics within an ensemble texture
- Executing style appropriate to folk dance character