Robbins Nest: Jazz Ensemble Conductor Score & Parts
As performed by Illinois Jacquet / Arranged by Rick Stitzel
Grade: 3
Item: 35-PK00311841
$45.00
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Robbins Nest - Conductor Score (Full Score) | $6.00 | |
| Robbins Nest - Alto Sax 1 | $6.00 | |
| Robbins Nest - Alto Sax 2 | $6.00 | |
| Robbins Nest - Tenor Sax 1 | $6.00 | |
| Robbins Nest - Tenor Sax 2 | $6.00 | |
| Robbins Nest - Baritone Sax | $6.00 | |
| Robbins Nest - Trumpet 1 | $6.00 | |
| Robbins Nest - Trumpet 2 | $6.00 | |
| Robbins Nest - Trumpet 3 | $6.00 | |
| Robbins Nest - Trumpet 4 | $6.00 | |
| Robbins Nest - Trombone 1 | $6.00 | |
| Robbins Nest - Trombone 2 | $6.00 | |
| Robbins Nest - Trombone 3 | $6.00 | |
| Robbins Nest - Trombone 4 | $6.00 | |
| Robbins Nest - Guitar | $6.00 | |
| Robbins Nest - Piano | $6.00 | |
| Robbins Nest - Bass | $6.00 | |
| Robbins Nest - Drums | $6.00 | |
| Robbins Nest - Vibes | $6.00 | |
| Robbins Nest - Solo Sheet | $6.00 |
Parts Added to Cart!
Description
Carefully utilizing every section of the band, here is a skillfully arranged version of this jazz favorite recorded by Illinois Jacquet and also Count Basie. Featuring a medium swing style and phrases traded between sections, this is a very attainable swing tune for young players. Short solos are included for tenor, trumpet and trombone, along with a chorus for the full ensemble.
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Additional Details
Publisher:
Hal Leonard
SKU:
35-PK00311841
More about this title
About the Artist: Illinois Jacquet
Illinois Jacquet pioneered the tenor saxophone sound that defined jump blues and early rhythm and blues. His raw, honking tone and extroverted playing style made him one of the most recognizable voices in postwar jazz, influencing generations of saxophonists who followed. Beyond his work as a bandleader and session musician, Jacquet's recordings became staples of the jazz repertoire and continue to demonstrate how individual artistry shapes an entire style.
For music educators, Jacquet's legacy offers something practical: proof that distinctive musicianship doesn't require technical complexity. His approach rewards students who develop tone, confidence, and the ability to make phrases swing with conviction rather than precision alone.
Why we love this
Rick Stitzel's arrangement respects the original's infectious energy while building in multiple entry points for your ensemble. Rather than stacking solos in ways that tire young players, this version trades phrases between sections, letting everyone experience the spotlight without losing momentum. The Grade 3 level genuinely fits; players get to navigate swing feel and section interplay without drowning in technical demands.
What to expect
Robbins Nest swings with the casual confidence of a tune that has earned its place in the jazz canon. The medium tempo and phrase trading create a playful conversation between sections, with solos that sit comfortably in the range of young players but still ask for musicality. There's joy in this arrangement, plain and simple.
Who it's for
Jazz ensembles at the intermediate level who are ready to tackle swing feel and section independence but need material with real energy and built-in success points. This works equally well for concert programming or festival preparation, giving your ensemble a piece that sounds polished without requiring months of rehearsal.
How to get the most out of it
- Anchor the rhythm section first. The groove won't breathe unless your drummer locks the swing pattern and your bass player sits comfortably behind the beat. Even young drummers can nail this if you spend rehearsal time isolating just the drums and bass.
- Shape the traded phrases so each section knows when to lean forward and when to pull back. Write in breath marks during sectional rehearsals and exaggerate the dynamic shifts; it will sound natural once players stop overthinking the handoff.
- Let soloists hear the recording before assigning parts. Hearing how the tune actually swings eliminates guesswork and gives students a frame of reference for phrasing and articulation.
- Balance the full ensemble chorus so it lands with punch. Young players often flatten this moment by playing too evenly. Encourage the lead voices to project while the lower voices provide cushion.
How to use it
Pair this with a ballad and an uptempo closer to round out a jazz concert set, or use it as your anchor piece for a program built around swing standards and big band heritage. It also works beautifully as a festival selection when you want judges to hear strong section writing and ensemble blend.
Skills your students will build
- Swing articulation and feel in medium tempo
- Trading phrases and passing melody between sections
- Solo navigation with form and chord changes
- Supporting roles in a collective groove (rhythm section and section backgrounds)
- Listening and responding to ensemble dynamics in real time