Riverside Sheet Music Preview

Riverside: SATB Divisi Choral Octavo

Arranged by Jason Max Ferdinand, Stephen Murphy, and Brandon Waddles / Arranged by Brandon Waddles / Arranged by Jason Max Ferdinand / Arranged by Stephen Murphy

Item: 35-DS01602773

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Description

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Additional Details
Publisher: Hal Leonard
Page Count: 19
SKU: 35-DS01602773

More about this title

Why we love this

This arrangement treats the SATB texture with genuine sophistication, letting the divisi writing create harmonic depth without sacrificing singability. The three arrangers bring complementary sensibilities that result in a piece that feels both contemporary and rooted in choral tradition.

What to expect

The divisi writing creates a lush, dimensional sound that feels open and modern without straying into experimental territory. There's warmth in the harmonic movement and a sense of forward momentum throughout.

Who it's for

Choirs with solid reading skills and experience managing divisi writing will find this octavo rewarding. The piece works well for groups looking to program something with contemporary sensibility but within the SATB framework.

How to get the most out of it

  • Balance the divisi lines carefully in rehearsal by isolating each voice part and drilling entrances separately before blending the full texture together.
  • Pay attention to vowel consistency across the divided voices; slight differences in vowel shape between SA and TB can muddy the harmonic blend.
  • Consider the dynamic arc across all 19 pages as a single arc rather than isolated sections; this prevents the piece from feeling episodic.

How to use it

This works beautifully as a centerpiece for a concert that mixes classics with contemporary choral writing, or as an anchor for a program exploring sectional arrangement techniques. The 19-page length gives you flexibility with pacing and allows time for meaningful rehearsal.

Skills your students will build

  • Managing divisi texture and independent voice part entrances
  • Hearing and singing into divided harmonic structures
  • Blend and balance across four voice parts with multiple divisi splits
  • Musicality in contemporary choral idiom

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