Rivers of Light for SSAATTBBB Choir Cover Image

Rivers of Light for SSAATTBBB Choir: SSAATTBBB Choral Octavo

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Rivers of Light for SSAATTBBB Choir Cover Image

Rivers of Light for SSAATTBBB Choir: SSAATTBBB Choral Octavo

for Two Solo Voices, SSAATTBB Choir, and Jaw Harp in C

By Eriks Ešenvalds / Words by Candace Savage, Kari Kaila, Charles Francis Hall, William Reed and explorer Fridtjof Nansen and Sami folksongs.

Item: 98-MB1415

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Description
A companion piece to Eriks Ešenvalds' Northern Lights, this piece uses Sami folksongs and English texts from multiple writers to reproduce, in musical form, the shimmering "rivers of light" flowing across the sky in the Aurora Borealis.

Commissioned by the "Swedbank Choir" under Arturs Ancans, Rivers of Light is scored for mixed SSAATTBBB choir with two solo voices (one female, one male) and jew's harp.

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Additional Details
Series: Musica Baltica
Publisher: Musica Baltica
Page Count: 20
ISBN10: 0-697-95324-6
ISBN13: 979-0-697-95324-6
SKU: 98-MB1415
Instrumentation: Mixed Voices (SSAATTBBB)

More about this title

About the Composer: Eriks Ešenvalds

Eriks Ešenvalds is a Latvian composer whose choral works have earned international recognition for their integration of Baltic folk traditions with contemporary compositional techniques. His music often draws on the landscapes and cultural heritage of northern Europe, creating soundscapes that feel both ancient and immediate. Ešenvalds has become a leading voice in modern choral composition, with commissions from prestigious ensembles and performances across major concert halls worldwide.

Why we love this

Ešenvalds constructs a genuinely theatrical experience here, using the jew's harp not as novelty but as an essential voice in capturing the aurora's shimmer. The interplay between Sami folksongs, English texts, and the solo voices creates moments of real luminosity that reward careful rehearsal and pay dividends in performance.

What to expect

Luminous and shimmering, yet grounded in folk authenticity. The piece captures both the awe of witnessing the aurora and the quiet dignity of the Sami traditions embedded in its melodic fabric, moving between moments of crystalline clarity and soft, almost reverberant mystery.

Who it's for

Advanced high school choirs and collegiate ensembles with strong sight-reading skills and comfort with extended ranges across nine voice parts. This work demands musicians who can hold complex harmonic passages while staying engaged with the music's atmospheric quality.

How to get the most out of it

  • Balance the jew's harp carefully in rehearsal. It's a quiet instrument acoustically, but its timbre must remain audible through the choir's textures without the ensemble shrinking its dynamics.
  • Work the two solo voices as characters rather than decorative elements. They anchor the emotional arc and need definition in tone and phrasing from the beginning of rehearsal.
  • Explore the Sami folksong material separately before integrating it into the full choral texture. Understanding the source material's character informs how the choir should approach these moments.

How to use it

Pair this with Northern Lights in a concert exploring Ešenvalds' Baltic vision, or program it as a standalone concert centerpiece that showcases your choir's range and technical sophistication. Its atmospheric quality works particularly well as a concert closer or as a programming moment that shifts the emotional temperature of an evening.

Skills your students will build

  • Reading SSAATTBBB voicing with divisi passages
  • Balancing solo voices within a large choir texture
  • Singing Sami folksong material with stylistic accuracy
  • Creating transparency and shimmer through careful dynamic control
  • Coordinating with non-traditional instruments (jew's harp)

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