River Songs (based on "Deep River" and "Shall We Gather at the River") Cover Image

River Songs (based on "Deep River" and "Shall We Gather at the River"): Full Orchestra Conductor Score

$8.00 USD
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River Songs (based on "Deep River" and "Shall We Gather at the River") Cover Image

River Songs (based on "Deep River" and "Shall We Gather at the River"): Full Orchestra Conductor Score

Arr. Douglas E. Wagner

Grade: 2.5

Item: 00-BFOM01003C

$8.00
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Description
Two appropriate works, "Deep River" and "Shall We Gather at the River," were chosen as musical witnesses to our common bonds in this life and beyond. A stirring arrangement for intermediate orchestra, characterized with flowing melodic lines traveling throughout the orchestra. The arrangement can be performed by strings alone or with any combination of winds. Most memorable.

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Additional Details
Series: Belwin Intermediate String/Full Orchestra
Publisher: Alfred Music
Page Count: 16
UPC: 654979994237
SKU: 00-BFOM01003C

More about this title

About the Arranger: Douglas E. Wagner

Douglas E. Wagner

Douglas E. Wagner grew up in Chicago and earned both his undergraduate and graduate degrees in music from Butler University. After three decades leading music programs at the high school level, he turned his full attention to composition and arranging, resulting in an extraordinary catalog: more than 3,500 published titles across choir, band, orchestra, handbell, organ, piano, and voice.

Wagner's music has reached audiences globally through concert halls, radio, television, and international broadcasts. Since 1973, his works have sold well over seventeen million copies. He currently lives in Indianapolis with his wife, Sandy.

Why we love this

Wagner captures the emotional depth of these spirituals without overwhelming an intermediate orchestra. The arrangement's flexibility, playable with strings alone or mixed with winds, makes it practical for ensembles with variable instrumentation while maintaining genuine musical substance.

What to expect

Reverent and flowing, with the spirituals' inherent dignity amplified through orchestration. The melodies move like water, sometimes concentrated in one voice, sometimes distributed across the ensemble, creating a sense of continuity and collective expression that feels both personal and universal.

Who it's for

Intermediate orchestras seeking spiritually meaningful repertoire that builds on students' familiarity with familiar hymn melodies. Directors programming sacred concerts or seeking pieces that honor cultural traditions while remaining accessible.

How to get the most out of it

  • Balance the melody as it travels between sections. Mark the score to track which instruments carry the primary line at each moment, then adjust rehearsal priorities accordingly.
  • Establish the character early: these hymn melodies need space and warmth rather than forward drive. Experiment with tempo in the first rehearsal before settling on a version that feels sustainable across the full arrangement.
  • Let the strings breathe on the sustained harmonies. Younger players often rush or lose tone quality through long passages, so isolate string sections to work on consistent vibrato and dynamic shaping.

How to use it

Include this as a centerpiece in a sacred or seasonal concert, particularly around Thanksgiving or contemplative programming. Its intermediate difficulty and modest rehearsal demands make it ideal for early-season performances while your orchestra builds stamina.

Skills your students will build

  • Maintaining consistent tone quality through long melodic lines
  • Following cued entrances when the primary melody shifts between sections
  • Balancing melody and accompaniment across a full orchestral texture
  • Sustaining appropriate tempo and character for sacred music

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