Rising From the Earth: Piccolo Sheet Music Preview

Rising From the Earth: Piccolo

By Adrian B. Sims

Grade: 3

Item: 00-PC-0019534_P1

Digital Download
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Description
Imagine the soundtrack accompanying the formation of Earth's largest natural superstructures. Inspired by massive rocks rising from the ground to create the tallest mountains on Earth, Rising from the Earth is a lively composition by Adrian B. Sims that juxtaposes moments of calm with volcanic musical outbursts. A profound work that will feature powerful brass and percussion sections! (4:00)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Rising From the Earth: Piccolo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Audio
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Sample Video
Additional Details
Series: MakeMusic Symphonic Band
Publisher: MakeMusic Publications
SKU: 00-PC-0019534_P1

More about this title

About the Composer: Adrian B. Sims

Adrian B. Sims

Adrian B. Sims is a composer, conductor, educator, and trombonist born in Seattle, Washington in 2000. His compositions have been performed at The Midwest Band and Orchestra Clinic, earned recognition on the Bandworld Top 100 List, and won awards through the Maryland Music Educators Association Young Composers Project and the Make Music Young Composers Contest. As a performer, he has worked across pit orchestras, symphony orchestras, jazz ensembles, and concert bands; during his high school years, he earned multiple selections to the Maryland All-State Band and performed alongside the Baltimore Symphony Orchestra.

Currently pursuing a dual degree in Music Education and Composition at The University of Maryland, Sims studies composition with Dr. Robert Gibson and bass trombone with Matthew Guilford, solo bass trombonist with the National Symphony Orchestra. He credits his band directors Christopher Gnagey and Cindy Stevenson for their mentorship, as well as composer Brian Balmages for his artistic development.

Why we love this

Sims captures the raw power of geological formation in a work that Grade 3 ensembles can actually execute convincingly. The programmatic arc from geological calm to volcanic intensity gives your band a genuine emotional narrative to communicate, while the deliberate showcase of brass and percussion ensures those sections get the spotlight they rarely receive at this level.

What to expect

A journey from the quiet waiting beneath the earth to the moment of rupture and emergence. You hear restraint transform into power, geological patience into volcanic release, creating a soundscape that feels both natural and dramatically urgent.

Who it's for

Band directors programming Grade 3 repertoire who want music with genuine character and thematic coherence. This work suits ensembles that have developed solid fundamentals and are ready to explore how brass and percussion writing can carry an entire program.

How to get the most out of it

  • Balance the quiet passages against the ensemble's tendency to swell; the calm moments only work if the band truly commits to restraint and intonation there.
  • Let the brass section lead the volcanic outbursts with confidence, but keep percussion proportional so timpani and bass drum support rather than overpower the melodic line.
  • Shape phrases around the geological imagery; treat the building sections like gradual pressure beneath the earth, not sudden attacks.

How to use it

Open a concert with this work to establish atmosphere and energy, or place it mid-program as a tonal contrast to lyrical or historical pieces. Its four-minute runtime and programmatic clarity make it an ideal festival or contest selection that audiences and adjudicators alike will understand and remember.

Skills your students will build

  • Controlling dynamic contrast and executing sustained pianissimo passages
  • Balancing independent brass and percussion lines with ensemble cohesion
  • Interpreting programmatic imagery through phrasing and articulation
  • Building from soft, layered textures toward full-ensemble fortissimo climaxes

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