Rising City Sheet Music Preview

Rising City: Piano/Vocal

Music by Stephen Flaherty / Lyrics by Lynn Ahrens

Item: 00-PS-0016349

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Description
From the song cycle A Boy with a Camera on the album Legacy by Flaherty & Ahrens. A Boy with a Camera is inspired by photographs of New York City taken by Ahrens' father in the '40s and '50s.

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SKU: 00-PS-0016349

More about this title

About the Composer: Stephen Flaherty

Stephen Flaherty has established himself as one of the most performed contemporary musical theatre composers. His collaborations with lyricist Lynn Ahrens have produced acclaimed works across multiple genres, from Ragtime and Anastasia to Natasha, Pierre & The Great Comet, demonstrating a gift for blending historical narrative with emotionally direct melody.

Flaherty's compositional voice combines theatrical sophistication with accessibility, making his work valuable for singers and pianists at all levels. His songs are rooted in strong harmonic language and singable vocal lines, qualities that serve both performance and teaching contexts well.

Why we love this

Flaherty's gift for writing memorable, singable lines shines in this piece from A Boy with a Camera. The pairing of evocative piano writing with a lyrical vocal part creates a song that rewards both technical work and emotional storytelling, making it an excellent choice for student singers who want to develop nuance and interpretive skills alongside solid technique.

What to expect

The song evokes memory and urban landscape with a sense of reflection rather than nostalgia. Flaherty's melody has an unhurried, contemplative quality that mirrors the act of looking at old photographs, while the piano establishes a sense of place through its harmonic and textural choices.

Who it's for

This piece suits singers with early-to-intermediate training who are comfortable with contemporary song literature and want to explore material beyond standard musical theatre selections. Pianists accompanying this song will find rewarding writing that goes beyond simple chord-following; the accompaniment is compositionally interesting and essential to the overall effect.

How to get the most out of it

  • Study the piano part closely before focusing on the vocal line; Flaherty's accompaniment often carries harmonic and rhythmic ideas that shape the phrasing of the melody.
  • Respect the historical context embedded in the lyrics and musical setting. These photographs from 1940s-50s New York deserve a singer who honors the nostalgia and specificity of the moment.
  • Allow yourself to sit with the emotional arc of the piece rather than rushing. The song builds meaning through its storytelling, and pacing serves the narrative.
  • Work with your pianist on ensemble timing in any passages where the vocal line sits against syncopated or complex accompaniment figures.

How to use it

This song works beautifully in a recital focused on contemporary American songwriting or in a concert exploring narrative-driven pieces. It pairs naturally with other songs from A Boy with a Camera or works well as a standalone art song selection for advanced high school or college-level singers developing a portfolio of contemporary repertoire.

Skills your students will build

  • Interpreting contemporary harmonic language and finding the melodic shape within it
  • Coordinate vocal phrasing with complex piano accompaniment figures
  • Build narrative awareness and emotional specificity in song performance
  • Develop sight-reading skills in popular sheet music notation

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