Risen Today!: Choral Instrumental Pak
By Jay Althouse
Item: 35-PK00165430
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About the Composer: Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he was honored with the Distinguished Alumni award. His career spans both the publishing side of music education and composition; he spent eight years managing rights and licenses for a major educational publisher and served on the Executive Board of the Music Publishers Association of America.
As a composer, Althouse has over 800 choral works in print and maintains a presence across the English-speaking music world. He is a writer member of ASCAP and a regular recipient of the ASCAP Special Award. Beyond his compositions, he has collaborated with his wife Sally K. Albrecht on children's musicals, compiled respected vocal solo collections, and authored several pedagogical resources including The Complete Choral Warm-up Book, Accent on Composers, and reproducible classroom materials. His collaborative arrangement of I Hear America Singing was performed by the San Francisco Girls and Boys Choirs at President Obama's 2009 Inauguration.
Why we love this
The propulsive piano part transforms this Easter proclamation into something with genuine theatrical energy rather than the polite restraint many spring anthems settle for. Althouse's gift for combining accessibility with rhythmic momentum means your singers stay engaged through the piece while your accompanist gets a genuinely rewarding part to execute.
What to expect
Bright, celebratory, and unstoppable. The festive character comes through immediately, carried by the relentless energy in the piano writing and reinforced by the text's proclamation of hope and renewal.
Who it's for
This works for worship contexts seeking an Easter anthem with genuine lift and optimism, rather than reverent contemplation. It suits choirs with solid rhythmic training and a pianist comfortable with driving accompaniment parts.
How to get the most out of it
- Lock the piano into a steady groove from rehearsal one; the rhythmic drive is the spine of the arrangement, and any rubato or slowing pulls the energy down.
- Push the choir's articulation to match the percussive clarity of the piano part. Crisp consonants and bouncy vowels keep the positive character intact.
- Resist the urge to slow down on longer phrases. This piece thrives on forward motion, even when sustaining, so coach singers to maintain the pulse through held notes.
How to use it
Position this as your spring service opener when you want to establish an uplifted, forward-looking tone from the start. The piece pairs well with more introspective Easter repertoire programmed later in the service, creating dynamic contrast.
Skills your students will build
- Maintaining rhythmic precision while singing energetically
- Coordinating ensemble articulation with instrumental accompaniment
- Sustaining forward momentum through longer phrases without losing pulse