Rise Like the Dawn Cover Image

Rise Like the Dawn: Concert Band Conductor Score

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Rise Like the Dawn Cover Image

Rise Like the Dawn: Concert Band Conductor Score

By Barry Milner

Grade: 3.5

Item: 00-50415S

$12.00
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Description
Rise Like the Dawn, by Barry Milner, is a lyrical and majestic composition that showcases the expressive potential of the horn and trumpet through prominent solo passages at the beginning of the piece. With its soaring melodies and rich harmonies, this medium-difficult composition captures a sense of hope and triumph, building powerful and dynamic sections. Perfect for high school ensembles, it offers an opportunity for musicians to develop phrasing, articulation, and expressive playing while highlighting the interplay between the solo section at the beginning and the tutti band. An inspiring addition to any concert, festival, or assessment program!

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Additional Details
Series: Alfred Concert Band Series
Publisher: Alfred Music
ISBN10: 1-4706-8091-2
ISBN13: 978-1-4706-8091-6
UPC: 038081605203
SKU: 00-50415S

More about this title

About the Composer: Barry Milner

Barry Milner

Barry Milner composes for concert band, orchestra, and film, with a catalog that spans educational and professional ensembles alike. His works regularly appear on state contest and festival lists, including pieces such as "An Unending Legacy" and "In Honor of the Fallen," both published by Alfred. His music has been featured in The SBO Magazine, The Instrumentalist, and on the JWPepper editors' list multiple times.

Milner has taught in the Eureka Springs School District in Arkansas while maintaining an active freelance composing career. Beyond the concert hall, he draws creative energy from travel to national parks, reading, and film scoring work. More information about his compositions can be found at www.barrymilner.com.

Why we love this

The opening horn and trumpet solos immediately demand musicianship from your principal players while the rest of the band listens and learns phrasing by ear. That solo-to-tutti architecture gives you a built-in way to address expressive playing across your entire ensemble, and Milner's rich harmonies keep the accompaniment engaging rather than decorative. At Grade 3.5, this sits in the sweet spot for high school groups with developing technique who are ready to tackle lyrical sophistication.

What to expect

The opening unfolds with quiet majesty, horn and trumpet voices intertwining in a dialogue that feels both intimate and aspirational. From there, the band gradually awakens, harmonies deepen, rhythms propel forward, and the whole ensemble builds toward moments of genuine triumph and hope.

Who it's for

High school concert bands with strong principal horn and trumpet players who are ready to carry exposed solos. Directors seeking a piece that builds expressive musicianship across the entire ensemble while maintaining accessibility at Grade 3.5 will find a reliable choice here.

How to get the most out of it

  • Shape the opening solo passages with long-line phrasing; resist the urge to rush into the powerful sections that follow. Let the horn and trumpet soloists breathe and sing.
  • Balance the tutti passages carefully once the full band enters. The soloists have already captured the audience's attention; the ensemble should amplify that energy rather than overwhelm it.
  • Attend to articulation consistency across sections, especially where the melody passes between instruments. Clean tonguing and unified articulation will clarify the soaring melodic line.

How to use it

Program this as a centerpiece in a concert dedicated to lyrical wind literature, or place it early in a set to establish musicality before tackling flashier repertoire. Its inspirational character works equally well in festival programs and assessment events.

Skills your students will build

  • Solo playing with sustained phrasing and expressive control
  • Listening and accompanying skills while the band supports featured soloists
  • Articulation clarity and consistency across section transitions
  • Dynamic control and contrast between intimate and powerful sections
  • Ensemble balance and blend in tutti passages

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