Ripple (Cut Song) (from Spirited) (arr. Audrey Snyder) Sheet Music Preview

Ripple (Cut Song) (from Spirited) (arr. Audrey Snyder): 2-Part Choral Octavo

By Pasek Paul / Arranged by Audrey Snyder

Item: 35-DS01301589

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Additional Details
Publisher: Hal Leonard
Page Count: 15
SKU: 35-DS01301589

More about this title

About the Composer: Pasek Paul

Pasek Paul has become one of contemporary musical theater's most prolific songwriters, with his work spanning Broadway, film, and television. His collaborative partnership with composer Benj Pasek has produced some of the most performed scores in recent years, including the music for Spirited, Dear Evan Hansen, and The Greatest Showman. His songs tend to balance accessibility with emotional depth, making them natural choices for educational ensembles seeking contemporary material with genuine theatrical substance.

Why we love this

Audrey Snyder's arrangement captures the warmth and simplicity that makes the original so affecting, without sacrificing the song's emotional core. The 2-part voicing works beautifully for younger singers or mixed ensembles, and the film connection gives students a reason to care about the material from day one. It's the kind of piece that sounds fuller and richer than it actually is, which means your singers will feel successful while learning.

What to expect

The song carries a gentle hopefulness, with lyrics that speak to connection and the small moments that matter most. The arrangement wraps this sentiment in clean, accessible voicing that feels warm without being sentimental, making it emotionally honest in a way that resonates with young singers.

Who it's for

This works for middle school choirs through high school groups seeking quality contemporary material with film recognition. It's equally valuable for holiday concerts, spring concerts, or any program that wants to include modern musical theater alongside traditional repertoire.

How to get the most out of it

  • Let the melody breathe in the opening phrase; resist the urge to rush even though the song feels simple. The power comes from clarity and space.
  • Balance the two parts so that neither overwhelms; this arrangement thrives on blend rather than soloistic singing.
  • Connect the lyrical content to the character's moment in the film. Your singers will sing with more purpose when they understand why this character is singing this song.
  • Keep the accompaniment gentle and transparent, especially under exposed passages. The arrangement relies on the singers' voices to carry the emotional weight.

How to use it

This pairs naturally with other contemporary musical theater selections in a holiday concert, or use it as a showcase number in a pop/film music program. Its filmmusical pedigree also makes it a compelling choice when introducing students to the artistry of song composition beyond traditional show tunes.

Skills your students will build

  • Balancing two independent lines while maintaining unified phrasing
  • Communicating lyrical intent and emotional subtext
  • Blending vocal tone across a range of dynamic levels
  • Reading and performing contemporary popular song idioms

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