Ring the Easter Bells with Gladness: Choral Instrumental Pak
As performed by Jon Paige / As performed by Jonathan Martin / Arranged by Brad Nix
Item: 35-PK00319229
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Why we love this
The "Fanfare and Concertato" structure gives you natural momentum without requiring specialized programming instincts. Brad Nix has crafted something that sounds far more elaborate than its modest rehearsal demands, letting your choir deliver a genuinely exalted moment while the congregation participates through a familiar hymn tune.
What to expect
Brass fanfares frame moments of jubilation as the resurrection story unfolds in song. The familiar hymn tune creates a sense of communal recognition, while the concertato sections build brightness and momentum toward a glorious finish.
Who it's for
Churches with mixed choirs and brass sections looking for an Easter service anchor that engages the congregation authentically. It works equally well for volunteer and school choirs who need something processional and joyful without being technically demanding.
How to get the most out of it
- Balance the choir against the brass flourishes by rehearsing them separately first, then layering them in. The bookend sections need clarity, not volume.
- Have your congregation members mark their hymn sheets during rehearsal so they know exactly where they enter. A confident congregational moment lifts the entire piece.
- Shape the verses individually; each one has its own character before the final brass swell arrives. Avoid treating them as mere repetition.
- Let the prominent hymn tune breathe in the opening. It's the anchor that makes the anthem feel both celebratory and grounded.
How to use it
Open your Easter service or spring concert with this. The congregational hymn component makes it ideal for a moment when you want worshippers or audience members to participate, and its length suits a prelude or processional slot perfectly.
Skills your students will build
- Balancing choir and brass textures in a liturgical context
- Shaping repeated melodic material to avoid monotony
- Negotiating "Fanfare and Concertato" form with confidence
- Projecting tone and diction across the emotional arc of resurrection text