Right Here Waiting (arr. Kirby Shaw) Sheet Music Preview

Right Here Waiting (arr. Kirby Shaw): SATB Choral Octavo

As performed by Richard Marx / Arranged by Kirby Shaw

Item: 35-DS00454032

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Additional Details
Publisher: Hal Leonard
Page Count: 9
SKU: 35-DS00454032

More about this title

About the Artist: Richard Marx

Richard Marx built his career on deeply personal songwriting and powerful vocal delivery, establishing himself as a major force in 1980s and 1990s pop rock. His gift for crafting memorable melodies paired with genuine emotional honesty made him a fixture on radio and in concert halls during that era. Marx's influence extends well into music education, where his songs continue to resonate with students who appreciate the intersection of accessible pop sensibility and sophisticated songcraft.

Why we love this

Kirby Shaw's arrangement captures the song's signature tenderness while giving SATB singers genuine musicality to work with. The familiar melody provides instant connection for your singers, while the part writing offers enough independence to keep all four voices engaged and interested throughout.

What to expect

Tender and earnest, with the quiet conviction of someone waiting for a moment that matters. The arrangement wraps itself around the melody like a gentle embrace, creating space for the text to be heard clearly while providing warm harmonic support underneath.

Who it's for

Choirs seeking accessible, emotionally direct repertoire that connects with student singers. The familiar melody and straightforward part writing make this suitable for intermediate high school choirs and community ensembles.

How to get the most out of it

  • Shape the opening phrases with gentle dynamics that support the lyrical intimacy of the text rather than oversinging it.
  • Balance the soprano line carefully when it carries the primary melody; the other voices should support without overwhelming.
  • Let the arrangement's harmonic movement breathe naturally; resist the urge to rush through chord progressions.

How to use it

This works beautifully as a spring or graduation concert selection, particularly when building a set around themes of longing or connection. It pairs well in a program that balances contemporary pop repertoire with more traditional choral work.

Skills your students will build

  • Sustaining lyrical phrasing across longer lines
  • Blending warm vowels within close harmonic intervals
  • Balancing independence of voice parts while maintaining overall ensemble cohesion
  • Interpreting contemporary pop music with vocal maturity

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