Right Hand Man Sheet Music Preview

Right Hand Man: Lead Sheet / Fake Book

Item: 35-DS00417871

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$3.99
Description

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Additional Details
Publisher: Hal Leonard
Page Count: 2
SKU: 35-DS00417871

More about this title

Why we love this

Lead sheets demand that players make real musical decisions, and this Broadway standard gives pianists and singers the harmonic framework to do exactly that. The fake book format is ideal for teaching jazz comping, reharmonization, and how to support a soloist while keeping the energy of the original arrangement intact.

What to expect

A confident, straightforward stride through classic Broadway wit and charm. The song settles into your fingers quickly, leaving room for the personality of whoever is performing it to shine through the familiar harmonic landscape.

Who it's for

Pianists preparing for jazz or musical theater ensembles, vocalists building a standards repertoire, and keyboard players who want to develop their comping skills. This works equally well for soloists learning the tune or accompanists supporting performers in rehearsal and performance.

How to get the most out of it

  • Read ahead through the changes to anticipate where the harmony shifts; this prevents hesitation between phrases.
  • Experiment with different voicings in the left hand depending on whether you're accompanying a vocalist or playing in an ensemble setting.
  • Lock into the song's pulse early by playing through the A section several times before adding interpretation or ad-libbing.
  • Listen closely to the melody line and leave space in your comping so the soloist's phrasing can breathe.

How to use it

Pair this with other lead sheets from the same era to build a casual jazz or cabaret set, or use it as a supplementary resource when teaching standards and popular song forms. It works particularly well in smaller ensembles, singer-pianist collaborations, or as part of a musical theater workshop.

Skills your students will build

  • Comping with seventh chords and extended harmonies
  • Reading and interpreting chord symbols
  • Balancing accompaniment texture while supporting a melody
  • Phrase breathing and listening to soloists
  • Transposition and chord voicing flexibility

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