Rigaudon Cover Image

Rigaudon: Full Orchestra Conductor Score & Parts

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Rigaudon Cover Image

Rigaudon: Full Orchestra Conductor Score & Parts

By Henry Purcell / arr. Bob Phillips

Grade: 1.5

Item: 00-38412

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Description
A super-simple full orchestra setting of a classic Baroque tune! In the key of G, each section plays the melody in very comfortable ranges with doubling galore. Using mainly quarter and half notes, this piece also makes a great combined band and orchestra piece for an all-school performance with the inclusion of an alto sax part. This title is available in MakeMusic Cloud.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Rigaudon: Full Orchestra Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Belwin Beginning Full Orchestra
Publisher: Alfred Music
Page Count: 106
UPC: 038081439587
SKU: 00-38412

More about this title

About the Composer: Henry Purcell

Henry Purcell (1659, 1695) stands as England's greatest Baroque composer and a towering figure in the history of Western music. His output spanned sacred music, theater works, chamber pieces, and instrumental dances, all marked by emotional depth and harmonic sophistication that influenced composers across Europe. For music educators, Purcell's catalog offers an extraordinary resource: melodies that sing naturally, structures that teach form without explanation, and a compositional voice that sounds neither primitive nor overly complex.

Why we love this

Bob Phillips has captured the elegance of Purcell's Rigaudon without any of the orchestration fuss. Every section gets the melody at a sensible pitch, the texture stays transparent enough for young players to hear themselves, and the addition of alto sax opens the door to a full school performance in one room. You'll hear good ensemble sound almost immediately.

What to expect

Courtly and spirited. The Rigaudon is a French court dance, and Purcell's version carries that sense of refined energy without pretension. Players feel part of something elegant the moment the melody begins, and the doubling makes every voice feel supported and heard.

Who it's for

First-year and second-year orchestra students who need a confidence-building piece that sounds polished and complete. This also works perfectly for beginning band-orchestra combined concerts where instrumentation is unpredictable and you need something that accommodates both woodwinds and strings seamlessly.

How to get the most out of it

  • Balance the alto sax part carefully if you're combining band and orchestra; it shouldn't overpower the strings but should anchor the harmonic support.
  • Shape the two-bar phrases with slight crescendos on beat one, then back off slightly to let the half notes breathe.
  • Keep the quarter-note motion crisp and even; the simplicity of the rhythm makes any unevenness immediately obvious.
  • Use the MakeMusic Cloud file for rehearsal sectionals so you can isolate each section's melody line and check intonation without the full texture.

How to use it

Open a concert with this to set a bright, celebratory tone, or tuck it into a short Baroque showcase alongside one or two other period pieces. It's also ideal as the centerpiece of an all-school assembly where band and orchestra students perform together but haven't had time for heavy rehearsal.

Skills your students will build

  • Reading and playing the melody line in a full ensemble context
  • Sustaining half notes with consistent tone quality
  • Balancing individual part with the larger orchestral texture
  • Responding to clear phrase structure in simple duple meter
  • Adapting to multiple part assignments (doubling across sections)

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