Rigaudon Cover Image

Rigaudon: String Orchestra Conductor Score

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Rigaudon Cover Image

Rigaudon: String Orchestra Conductor Score

By André Campra / arr. Douglas E. Wagner

Grade: 1

Item: 00-38391S

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Description
This familiar instrumental excerpt from Campra's opera, Idoménée, is a natural confidence builder for young players. Beginning with a simple ostinato in the low strings, the arrangement flows gracefully into the main theme. This theme occurs three times in the work, each time exactly as the first, thereby saving rehearsal minutes and hastening the learning process. A perfect first ensemble piece! This title is available in MakeMusic Cloud.

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Additional Details
Series: Belwin Very Beginning String Orchestra
Publisher: Alfred Music
Page Count: 8
UPC: 038081430195
SKU: 00-38391S

More about this title

About the Composer: André Campra

André Campra (1660-1744) was a French Baroque composer and conductor whose operatic works dominated French stages in the early 18th century. His five tragédies en musique and numerous shorter stage works established him as a master of French lyrical style, balancing ornate vocal lines with elegant instrumental writing that reflected both Italian and French musical traditions.

Why we love this

Wagner's arrangement captures everything that makes Baroque dances teach-friendly: a predictable harmonic foundation that lets young players focus on ensemble listening, and a memorable theme that repeats exactly as written so rehearsal time goes toward refinement rather than rote learning. The ostinato-to-theme structure gives conductors a natural pedagogical arc, from rhythmic establishment to melodic confidence.

What to expect

Graceful and stately without heaviness, the Rigaudon dances with courtly elegance. The low string ostinato provides a secure anchor while the melody floats above it with natural phrasing, creating a sense of forward motion that feels both lyrical and driven.

Who it's for

Young string orchestras encountering their first full ensemble repertoire, particularly those in Grade 1 programs or elementary school strings. This arrangement works equally well as a confidence builder for a first public performance or as material for contest preparation.

How to get the most out of it

  • Establish the low string ostinato with absolute rhythmic steadiness before introducing the main theme; this foundation determines everything else.
  • Shape the theme with gentle dynamic contour even at this level, resisting the urge to play straight throughout all three statements.
  • Balance the texture so the melody sings clearly without requiring excessive volume from upper strings.
  • Use the repetition strategically; the third statement is an opportunity to demonstrate what careful rehearsal accomplishes, not a point to rush.

How to use it

Program this as an opening work for a spring concert to showcase your ensemble's emerging musicianship, or as an early-season confidence builder before tackling more complex material. It pairs well with other Baroque arrangements at similar levels, creating a themed concert that celebrates ornamental restraint and clarity.

Skills your students will build

  • Maintaining rhythmic independence in ostinato accompaniment figures
  • Sustaining melodic line with natural phrasing and shape
  • Listening vertically within a three-voice texture
  • Ensemble balance between accompanimental and melodic material
  • Baroque articulation and style conventions

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